Rane MP2014 Handleiding

Rane Mengpaneel MP2014

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Pagina 1/24

MP2014 MANUAL

RANE MP2014

MIXER MANUAL

CUE

SPLIT

CUE

MIX

FILTER

TONE

SESSION OUT

BOOTH

LEVEL

MAIN

LEFT

RIGHT

AUX

OFF

MIC

DUCK

PHONES

LOW

MID

HIGH

GAIN

SESSION IN

LOW

CROSSOVER

MID

SOURCE

GAIN

RESONANCE

HIGH

ISO

1B1A

MIX

FILTER

PAN

LOW

MID

HIGH

SOURCE

GAIN

2B2A

PH/CD 2 AUX 2PH/CD 1 AUX 1

MP2014

135 380

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

456

∞

0 dB

+10

∞

0 dB

+10

∞

0 dB

+10

OFF +6

456

OFF +6

456

BASS TREBLE

LOW HIGH

225

640

1.7k 4.75k

1.0k

2.8k

8.0k

CUE MIX

MP2014 MANUAL

ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION

To reduce the risk of electrical shock, do not open the unit. No

user serviceable parts inside. Refer servicing to qualied service

personnel.

The symbols shown below are internationally accepted symbols

that warn of potential hazards with electrical products.

This symbol indicates that a dangerous voltage

constituting a risk of electric shock is present

within this unit.

This symbol indicates that there are important

operating and maintenance instructions in the

literature accompanying this unit.

WARNING

Important Safety Instructions

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including ampliers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A

grounding-type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided

plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience receptacles, and the point where it exits

from the apparatus.

11. Only use attachments and accessories specied by Rane.

12. Use only with the cart, stand, tripod, bracket, or table specied by the manufacturer, or sold with the apparatus. When a cart is used, use

caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long periods of time.

14. Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power

supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or

moisture, does not operate normally, or has been dropped.

15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To completely disconnect this apparatus

from the AC mains, disconnect the power supply cord plug from the AC receptacle.

16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.

17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated in the

electrical installation of the building.

18. If rackmounting, provide adequate ventilation. Equipment may be located above or below this apparatus, but some equipment (like large

power ampliers) may cause an unacceptable amount of hum or may generate too much heat and degrade the performance of this apparatus.

19. This apparatus may be installed in an industry standard equipment rack. Use screws through all mounting holes to provide the best support.

WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture. Apparatus shall not be exposed to

dripping or splashing and no objects lled with liquids, such as vases, shall be placed on the apparatus.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC

Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment

generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful

interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this

equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on,

the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

CAUTION: Changes or modications not expressly approved by Rane Corporation could void the user's authority to operate the equipment.

CAN ICES-3 (B)/NMB-3(B)

WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth defects or other reproductive harm.

MP2014 MANUAL

ATTENTION: RISQUE DE CHOCS ELECTRIQUE - NE PAS OUVRIR

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION

An d’éviter tout risque de choc électrique, ne pas ouvrir l’appareil.

Aucune pièce ne peut être changée par l’utilisateur. Contactez un

SAV qualié pour toute intervention.

Les symboles ci-dessous sont reconnus internationalement comme

prévenant tout risque électrique.

Ce symbole indique que cette unité utilise un voltage

élevé constituant un risque de choc électrique.

Ce symbole indique la présence d’instructions

d’utilisation et de maintenance importantes dans le

document fourni.

ATTENTION

Instructions de Sécurité

1. Lisez ces instructions.

2. Gardez précieusement ces instructions.

3. Respectez les avertissements.

4. Suivez toutes les instructions.

5. Ne pas utiliser près d’une source d’eau.

6. Ne nettoyer qu’avec un chiffon doux.

7. N’obstruer aucune évacuation d’air. Effectuez l’installation en suivant les instructions du fabricant.

8. Ne pas disposer près d’une source de chaleur, c-à-d tout appareil produisant de la chaleur sans exception.

9. Ne pas modier le cordon d’alimentation. Un cordon polarisé possède 2 lames, l’une plus large que l’autre. Un cordon avec tresse de masse

possède 2 lames plus une 3è pour la terre. La lame large ou la tresse de masse assurent votre sécurité. Si le cordon fourni ne correspond pas à

votre prise, contactez votre électricien.

10. Faites en sorte que le cordon ne soit pas piétiné, ni au niveau du l, ni au niveau de ses broches, ni au niveau des connecteurs de vos appareils.

11. N’utilisez que des accessoires recommandés par Rane.

12. N’utilisez que les éléments de transport, stands, pieds ou tables spéciés par le fabricant ou vendu avec l’appareil. Quand vous utlisez une

valise de transport, prenez soin de vous déplacer avec cet équipement avec prudence an d’éviter tout risque de blessure.

13. Débranchez cet appareil pendant un orage ou si vous ne l’utilisez pas pendant un certain temps.

14. Adressez-vous à du personnel qualié pour tout service après vente. Celui-ci est nécessaire dans n’importe quel cas où l’appareil est abimé :

si le cordon ou les ches sont endommagés, si du liquide a été renversé ou si des objets sont tombés sur l’appareil, si celui-ci a été exposé à la

pluie ou l’humidité, s’il ne fonctionne pas correctement ou est tombé.

15. La che du cordon d’alimentation sert à brancher le courant alternatif AC et doit absolument rester accessible. Pour déconnecter totalement

l’appareil du secteur, débranchez le câble d’alimentation de la prise secteur.

16. Cet appareil doit être branché à une prise terre avec protection.

17. Quand il est branché de manière permanente, un disjoncteur tripolaire normalisé doit être incorporé dans l’installation électrique de l’immeuble.

18. En cas de montage en rack, laissez un espace sufsant pour la ventilation. Vous pouvez disposer d’autres appareils au-dessus ou en-dessous

de celui-ci, mais certains (tels que de gros amplicateurs) peuvent provoquer un buzz ou générer trop de chaleur au risque d’endommager votre

appareil et dégrader ses performances.

19. Cet appareil peut-être installé dans une baie standard ou un chassis normalisé pour un montage en rack. Visser chaque trou de chaque oreille

de rack pour une meilleure xation et sécurité.

ATTENTION: an d’éviter tout risque de feu ou de choc électrique, gardez cet appareil éloigné de toute source d’humidité et

d’éclaboussures quelles qu’elles soient. L’appareil doit également être éloigné de tout objet possédant du liquide (boisson en

bouteilles, vases,…).

REMARQUE: Cet équipement a été testé et approuvé conforme aux limites pour un appareil numérique de classe B, conformément au chapitre 15

des règles de la FCC. Ces limites sont établis pour fournir une protection raisonnable contre tout risque d’interférences et peuvent provoquer une

énergie de radiofréquence s'il n'est pas installé et utilisé conformément aux instructions, peut également provoquer des interférences aux niveaux

des équipements de communication. Cependant, il n'existe aucune garantie que de telles interférences ne se produiront pas dans une installation

particulière. Si cet équipement provoque des interférences en réception radio ou télévision, ceci peut être detecté en mettant l'équipement sous/

hors tension, l'utilisateur est encouragé à essayer de corriger cette interférence par une ou plusieurs des mesures suivantes:

• Réorienter ou déplacer l'antenne de réception.

• Augmenter la distance entre l'équipement et le récepteur.

• Connecter l'équipement à une sortie sur un circuit différent de celui sur lequel le récepteur est branché.

• Consulter un revendeur ou un technicien radio / TV expérimenté.

ATTENTION: Les changements ou modications non expressément approuvés par Rane Corporation

peuvent annuler l'autorité de l'utilisateur à manipuler cet équipement et rendre ainsi nulles toutes les

conditions de garantie.

CAN ICES-3 (B)/NMB-3(B) Cartons et papier à recycler.

MP2014 MANUAL

States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand, and OS X are registered

trademarks of Apple Inc., registered in the United States and other countries. ASIO is a trademark of Steinberg Media

Technologies GMBH. Traktor, Traktor Pro and Maschine are trademarks of Native Instruments GMBH. Virtual DJ is a

registered trademark of Atomix Productions Inc. Ableton is a trademark of Ableton AG.

Check List

These items are included in the box:

• MP2014 Mixer.

• 1 USB cable.

• 1 control panel install disc.

• IEC C5 line cord.

• This MP2014 Mixer Manual.

Wear Parts

The MP2014 Mixer contains no wear parts. See "Limited Warranties" on page 23.

This product is engineered, manufactured and supported by Rane Corporation in Mukilteo, WA, USA, using globally

sourced materials.

MP2014 MANUAL

MP2014 Overview

Highest quality user control surface

• Excellent control ergonomics with intuitive and comfortable layout.

• Potentiometers with exceptional feel and 1 million cycle life.

• Studio console grade backlit push switches.

Digital Signal Processing

• A/D and D/A dynamic range 116 dB A-weighted, THD+N 0.001%.

• All audio processing is 32-bit oating point with supported sample rates: 44.1 kHz, 48 kHz or 96 kHz.

• S/PDIF input for Session input with 128 dB dynamic range with ultra-low jitter and 16:1 SRC conversion range.

• S/PDIF Session output to record mix or chain mixers together without analog conversion.

Two USB ports allow simultaneous connection of two computers

• Each USB port supports 6 playback and 14 record channels.

• Simultaneously play stereo tracks to Deck 1, Deck 2, and the USB Aux.

• Simultaneously record 2 Decks as pre-fader, as post-fader, the Session Input, the Mic Input, and the Main mix.

• USB 2.0 high-speed class compliant MIDI and Audio

• Driver installation is not required for Mac OS X.

• High-performance universal ASIO driver is provided for Windows.

• Computer control panel supports additional options and status.

Analog I/O designed with attention to detail

• Accurate, low noise RIAA stages with 3rd-order Infrasonic (rumble) and 2nd-order low-pass lters.

• Transient voltage and EMI protection, turn-on muting and overload protection.

• 8 Vrms balanced outputs, 4 Vrms unbalanced I/O.

Two Deck inputs with these features:

• Select USB A, PH/CD, AUX or USB B input with Gain trim and RIAA Phono sensitivity.

• Deck 1 USB playback channels 1-2

• Deck 2 USB playback channels 3-4

• 3-band full-cut EQ with 2 selectable crossover points: Linkwitz-Riley 2nd-order

• 4th-Order selectable Low-pass, Low/High-pass, or High-pass lter with Mode, Resonance and on/off controls.

• Effects Loop send to an external processor, returned to the Main Mix.

• Main Mix Level control, Headphone Cue, 16-segment Q-peak meter with Peak-hold.

Session Input with Level control

• Source may be unbalanced RCA, S/PDIF or USB AUX playback channels 5-6.

Microphone input with Mic / Line-level switch

• Combo XLR and 1/4" TRS input jack.

• May be used directly with a mic, or a line-level (wireless) input.

• Input Level control, 1-knob Tone control, on/off switch and music Duck controls.

High performance Integrated Isolator EQ

• 4th-order Linkwitz-Riley 3-band Isolator with adjustable crossover points; exceptionally smooth.

Main Mix with 16-segment stereo Meter

• Balanced XLR Main Output with Level control.

• Balanced 1/4" TRS Booth Output with Level control.

• Session Output with Level control.

• S/PDIF output for digital recording or chaining mixers together.

• Unbalanced RCA analog outputs.

Headphone monitor

• Level Control, Cue/Main Pan, Mono Split or Stereo Cue.

• Conveniently located 3.5 mm and 1/4" jacks on the front panel and another 1/4" jack on the top plate.

USB Record outputs:

• USB record channels 1-2: Deck 1 pre-fader (for DVS).

• USB record channels 3-4: Deck 2 pre-fader (for DVS).

• USB record channels 5-6: Main Mix.

• USB record channels 7-8: Deck 1 post-fader (for DAW or archiving).

• USB record channels 9-10: Deck 2 post-fader (for DAW or archiving).

• USB record channels 11-12: Session In.

• USB record channels 13-14: Mic In.

MP2014 MANUAL

Connections

Mixer Inputs

• One stereo Phono / CD input is provided for each Deck channel on a red and white pair of RCA jacks. Set each channel

to PH or CD using the rear panel slide switches. Connect your turntable ground wires to the rear panel ground posts.

• Computer control panel: Phono Sensitivity adjustment will match source levels. See "Control Panel" on page 14.

• One stereo line-level AUX input is provided for each of the two Deck channels on a red and white pair of RCA jacks. An

AUX input can be from a CD deck, electronic instrument, or other consumer audio device.

• One stereo Session Input is available as analog on a pair of red and white RCA jacks, or digitally using the orange S/PDIF

jack. Select the input type with the LINE - S/PDIF switch. Use this input to connect two mixers together. Using S/PDIF

Session Input with another mixer's S/PDIF Session Output can digitally link mixers without converting to analog.

• This input may also be an auxiliary 3rd channel line input, with it's own sweep Filter, headphone Cue and Level.

• The balanced microphone input on a combination TRS / XLR jack can be switched to:

• LINE level for the output of a wireless mic receiver.

• MIC level for a regular dynamic microphone. The MP2014 does not supply phantom power.

• External FX Loop Return stereo input is on a pair of unbalanced RCA jacks. The FX Return input is normally used in

combination with the FX Loop Send output to connect an outboard effects processor.

Mixer Outputs

All of these outputs carry the same Main mix, each with its own Level control:

• MAIN Output is on a pair of balanced XLR jacks.

The control panel has a mono option and clean feed option for the Main Output. See "General Tab" on page 14.

• BOOTH Output is on a pair of balanced 1/4" TRS jacks.

• SESSION Out is on a pair of unbalanced RCA jacks, and digitally via S/PDIF on an RCA jack.

The FX Loop Send output is from a pair of unbalanced RCA jacks. The FlexFX Send output is normally used in combination

with the FlexFX Loop Return input to connect the Deck and Mic Inputs to outboard analog effects.

• The SEND output level can be switched to -10 (for unbalanced devices) or +4 (for balanced devices).

Cabling Note: When using unbalanced 1/4" tip-sleeve cables from the Booth Outputs, or RCA cables from the analog

Session Outputs, keep cables short, less than 3 meters (10 feet) to avoid hum and interference. Balanced 1/4" TRS or XLR

cables are the best choice, allowing greater distance runs without problems.

Two USB Ports

The MP2014 allows simultaneous connection of two computers, each port completely independent. The USB ports are

100% class compliant, allowing hook-up to Mac OS X without the need for an additional driver. A high-performance ASIO

driver connects the audio in most Windows DAW and DJ software. MIDI end points are class compliant with both OS X and

Windows devices. Connect either port to a single computer. See "Class Compliant USB Ports" on page 14.

Power Supply

The MP2014 Mixer features an internal universal switching power supply that operates on any AC mains 100 to 240 VAC, 50

or 60 Hz (most places in the world). All that is required for the traveling DJ is the appropriate IEC line cord, available from a

local electronics store. Though this mixer has turn on/off muting, it’s smart to leave the power unplugged until everything

else is connected.

100-240V 50/60 Hz 20 WATTS

MP2014

USB

SESSION

DECK

BOOTH

MIC

MAIN

AUX 1

AUX 2

PH/CD 1

PH/CD 2

OUT

LINE

OUT

EXTERNAL FX LO

PH - CD 1

PH - CD 2

LINE - S/PDI

SEND

S/PDIF

RETURN

BALANCED OUTPU

LINE

MIC

-10

MP2014 MANUAL

Input Channels

Source Selectors

The source selectors choose the active USB port, USB audio slot or analog input for each input channel. To use USB

playback you must assign the USB slots in your DJ or DAW software preferences panel.

Channel 1 Source Selections Channel 2 Source Selections USB AUX / Session In

Port A playback for Deck 1

• USB audio slots 1-2.

• Routes audio and MIDI for Deck 1

only to/from USB Port A.

Port A playback for Deck 2

• USB audio slots 3-4.

• Routes audio and MIDI for Deck 2

only to/from USB Port A.

Switch in the up position.

AUX playback

• USB audio slots 5-6, both ports.

• AUX audio is summed from USB

Port A and Port B.

• Phono / CD 1

• Set the PH-CD rear panel switch.

• Phono / CD 2

• Set the PH-CD rear panel switch.

• Aux Input Aux Input • 1 2Switch in the down position.

• Session In line-level or S/PDIF

inputs.

Port B playback for Deck 1

• USB audio slots 1-2.

• Routes audio and MIDI for Deck 1

only to/from USB Port B.

Port B playback for Deck 2

• USB audio slots 3-4.

• Routes audio and MIDI for Deck 2

only to/from USB Port B.

To share the MP2014 with a second computer, see "DJ Changeover" on page 13.

Deck Source Selection is followed by:

• GAIN trim: Off to +15 dB with unity gain (equal in and out) at 12 o’clock.

• 3-band HIGH / MID / LOW tone controls

Off to +6 dB with unity gain at 12 o’clock.•

• Linkwitz-Riley 2nd-order isolator full-cut lters (LR-2).

Crossover points for Low/Mid and Mid/High default at 300 Hz between Low and Mid, 3 kHz •

between Mid and High. This can be changed in the "Control Panel" on page 14.

• High-Pass / Low-High-Pass / Low-Pass Sweep FILTER (button is lit green when active)

LP: Low-pass lter cutoff moves from 20 kHz toward 20Hz as the knob is turned CCW.•

HP: High-pass lter cutoff moves from 20 Hz toward 20kHz as the knob is turned CW.•

L-H: In Low-High mode, there is no effect at the center (at response).•

Low-pass increases CCW from the center, and High-pass increases CW from the center.•

Resonance can be adjusted for all Sweep Filters with the central RESONANCE control.•

• CUE select (button is lit yellow when active): Assigns an input to the headphone monitor.

• (button is lit blue when active): Assigns an input to the external effects send.FX select

• with peak hold: Adjust the GAIN trim to get the signal into the yellow during Q-peak meter

peaks, and to prevent overload.

• : Adjusts the channel level feeding the "post" USB record outputs and the Main mix.MIX control

CUE

MIX

FILTER

LOW

MID

HIGH

SOURCE

GAIN

1B1A

PH/CD 1 AUX 1

+10

-1

-2

-3

-5

-7

-10

-15

-24

456

OFF +6

456

MP2014 MANUAL

Session Input

Session input sources may be analog line RCA, digital S/PDIF, or USB audio channels 5/6. Session

input can independently mix in an additional stereo source, or use in conjunction with Session Out

to chain mixers together.

Connect any line-level device (e.g., CD player, another mixer, keyboard, phone, etc.) to the

Session In RCA white and red jacks. The orange S/PDIF input connects a digital device (e.g., a CDJ

2000 or another MP2014 or MP2015 mixer) using a single coax RCA cable. The switch above the

jacks selects the orange S/PDIF input or the red/white line-level inputs as a source. Alternatively,

USB Aux audio channels 5/6 can be the Session input source by ipping the toggle switch up next

to the Session In level control.

To play audio from a device plugged into the RCA or S/PDIF Session Inputs, set the USB AUX

toggle switch to SESSION IN (down position). To play audio from USB audio channels 5/6 set

the USB AUX switch to USB AUX (up position). To use USB AUX playback, you must assign USB

channels 5/6 to tracks in your DJ or DAW software preferences panel. Playback from both USB

Ports A and B on channels 5/6 are mixed together.

The Session Input is available for recording on USB record channels 11-12.

Session Output

Session Output is available on analog line-level RCA white and red jacks, and an orange digital

S/PDIF jack. Use these outputs in combination with the Session Input when chaining mixers

together, for an auxiliary zone output, or for external digital S/PDIF main mix recording. Both analog

and digital outputs are active at the same time.

Note: Using S/PDIF provides better sound and higher performance when connecting an available

S/PDIF source like an equipped CDJ or another mixer.

The Session Out control affects the level of audio output on the Session Out RCA jacks and the

S/PDIF jack.

Microphone Input

The mic input has these controls:

• On / Off switch turns the mic on or off.

• Duck momentarily turns down the other inputs by 10 dB (by about 1/3).

• Gain control sets the mic level.

• One-knob spectral tilt Tone control:

Increasing Treble reduces Bass by the same amount.•

Decreasing Treble increases Bass by the same amount.•

• A rear panel switch has two positions for different mic types:

Line level accepts the output from a wireless mic receiver.•

Mic level is suitable for a dynamic mic.•

• Control panel option: with Clean Feed selected, the Mic signal is sent directly to the Main Out and is not present in the

USB Main Record, Booth Out or Session Out. See "Control Panel" on page 14.

• The Mic Input is available for recording on USB record channels 13-14.

CUE

FILTER

AUX

SESSION IN

456

TONE

SESSION OUT

OFF

MIC

DUCK

GAIN

456

BASS TREBLE

MP2014 MANUAL

Main Mix Outputs

• These signals combine to create the Main Mix signal:

Decks 1 and 2.•

Session In.•

FX Return.•

• Mic.

• Main Mix outputs are:

Main: balanced XLR jacks with a maximum output of 8 volts rms.•

Booth: balanced 1/4" TRS jacks with a maximum output of 8 volts rms.•

Session: unbalanced RCA jacks with a maximum output of 4 volts rms.•

S/PDIF digital session output on one RCA jack.•

• Common to all Main Mix outputs:

Stereo Q-peak meter with peak hold:•

If the red overload LED is off, the mixer will not clip at any output level setting.•

• Main Output Isolator:

Off to +10 dB with unity gain at 12 o’clock.•

Low-mid crossover is adjustable from 80 Hz to 640 Hz. •

Mid-high crossover is adjustable from 1 kHz to 8 kHz.•

• Main, Booth and Session outputs have independent Level controls; their range is off to 0 dB.

• Control panel option: the Main Output can be set to Mono or Stereo. Other outputs remain in

stereo. See "Control Panel" on page 14.

Headphone Cueing

• The Headphone monitor provides stereo or mono split cue operation.

When set for stereo operation (off), the Pan control pans between stereo Cue and stereo •

Main Mix.

When set for Split Cue operation (ON), the Pan control pans between Mono Cue in the left •

ear and mono Main Mix in the right ear.

• Individual Cue buttons are provided for Deck 1, Deck 2, and Session In.

• Cue buttons engage headphone monitoring for each channel. Multiple channels can be cued

simultaneously by pressing the Cue for each.

• The Phones Level control adjusts the volume to the headphone jacks.

• Headphones output is available on two 1/4" jacks, one on the front and one on the top. An

additional 3.5mm jack is located on the front. All share the same signal.

• The Control Panel allows Bass and Treble adjustment in headphones. See "Control Panel" on

page 14.

SPLIT

LEVEL

PHONES

PAN

456

CUE MIX

BOOTH

MAIN

LEFT

RIGHT

LOW

CROSSOVER

MID

HIGH

ISO

135 380

+10

-1

-2

-3

-5

-7

-10

-15

-24

456

∞

0 dB

+10

∞

0 dB

+10

∞

0 dB

+10

456

225

640

1.7k 4.75k

1.0k

2.8k

8.0k

MP2014 MANUAL

USB Audio

There are ve stereo record channels and three stereo playback channels. These channels are available on two USB ports,

allowing two computers to share the mixer. This allows two DJs to play together, and supports uninterrupted transitions

between them by simply changing one of the mixer input sources. USB audio is 24-bit PCM with a sample rate of 44.1, 48

or 96 kHz. Sample rate and USB slot assignments are made in the preferences screen in your DJ or DAW software. You can

simultaneously record both Deck channels as pre-Mix control (for DVS) and post-Mix playback, and record the Main Mix

output through USB audio channels. Multitrack recording allows you to “x” a recording in the studio.

USB Playback Channels Assignment

Deck 1 Playback Deck 2 Playback Session In USB Playback

In USB audio playback slots 1-2. In USB audio playback slots 3-4. In USB audio playback slots 5-6.

Routed from either USB A or USB B depending on the Input source selection. Sum of USB A and USB B.

USB Record Channel Assignment (Broadcast to both USB A and USB B at all times).

Deck 1

Record (Pre)

Deck 2

Record (Pre)

Main Mix

Record

Deck 1

Record (Post)

Deck 2

Record (Post)

Session In

Record

Mic Input

Record

In USB audio

record slots

1-2.

In USB audio

record slots

3-4.

In USB audio

record slots

5-6.

In USB audio

record slots

7-8.

In USB audio

record slots

9-10.

In USB audio

record slots

11-12.

In USB audio

record slots

13-14.

Use "Pre" with DVS software. Use "Post" for multi-track

recording (uses Mix controls).

Deck 2 Record (post)

x2 USB Ports

Deck 2 Record (pre)

Deck 1 Record (pre)

Deck 1 Record (post)

Main Mix Record

USB 3-4

USB 1-2

USB 7-8

USB 9-10

Mic Record

Session In Record USB 11-12

USB 13-14

USB 5-6

Deck 2 Playback

USB AUX Playback

Deck 1 PlaybackUSB 1-2

USB 3-4

USB 5-6

USB RECORD

USB PLAYBACK

CUE

MIX

FILT ER

T ON E

SESSION O UT

BOOT H

LEVEL

MAIN

LEFT

RIGHT

AUX

ACT IVE

OFF

MIC

DUC K

PHONES

LO W

MID

HIGH

GAIN

SESSIO N IN

LOW

CROSSOVER

MID

SOURCE

GAIN

RESONANCE

HIGH

ISO

1B1A

MIX

FILTER

PAN

MAIN

SPLIT

NORM

LOW

MID

HIGH

SOURCE

GAIN

2B2A

PH/CD 2 AUX 2PH/CD 1 AUX 1

MP2014

135 380

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

456

∞

0 dB

+10

∞

0 dB

+10

∞

0 dB

+10

OFF

456

OFF

456

BASS TREBLE

LOW HIGH

456

225

640

1.7k 4.75k

1.0k

2.8k

8.0k

MIX

CUE

MP2014 MANUAL

DJ Changeover

One of the biggest challenges of digital DJing has been seamlessly

changing over from one DJ to the next and playing back-to-back DJ sets.

With the dual USB architecture of the MP2014 mixer, changeover between

digital DJs has never been easier.

Deck Changeover Controls

At the top of each input channel is the Source selector to switch input

sources. If your computer is connected to USB port A, switch a channel

Source knob to USB A, and the mixer assigns the corresponding virtual

deck to that channel for audio playback. For example, assigning both

channels to USB 1A-2A assigns both virtual decks to the computer

connected to USB port A.

The same applies to USB port B. If your computer is connected to USB

port B, switching a channel Source Select knob to USB B, assigns the

corresponding virtual deck to that channel for audio playback.

When two DJs are connected to the MP2014, they can quickly swap

deck control between computers just using the Source select knobs.

The DJ Changeover Walkthrough

In the scenario below, one DJ, let’s call him DJ A, is already connected to

the MP2014 using either USB port A or B. With DJ A’s computer already

connected and playing music, do the following:

1. Connect your computer to the unused USB port on the MP2014.

2. Switch the Input Source on the other non-playing input channel to the

USB source of your computer.

3. Play a track on this Deck and mix it in when you're ready — audio from

both computers are in the mix.

4. Fade out the audio playing from DJ A’s computer to the audio playing

from your computer.

5. Assign the Input Source for the remaining free mixer channel(s) to your

computer and continue DJing.

When DJ A is done, disconnect his computer from the USB port. If you’re

back-to-back mixing with DJ A, keep the computer connected and

perform the same swapping instructions to regain deck control.

CUE

MIX

FILTER

LOW

MID

HIGH

SOURCE

GAIN

RESONANCE

1B1A

MIX

FILTER

LOW

MID

HIGH

SOURCE

GAIN

2B2A

PH/CD 2 AUX 2PH/CD 1 AUX 1

MP2014

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

456

OFF +6

456

OFF +6

456

LOW HIGH

TURNTABLE OUT

MIC

TURNTABLE OUT

CD OUT CD OUT

USBUSB

CUE

MIX

FILTER

TONE

SES SION OUT

BOOTH

LEVEL

MAI N

LEFT

RIGHT

AUX

ACTIVE

OFF

MIC

DUCK

PHONES

LOW

MID

HIGH

GAIN

SESSION IN

LOW

CROSSOVER

MID

SOURCE

GAIN

RES ONANCE

HIGH

ISO

1B1A

MIX

FILTER

PAN

MAIN

SPLIT

NORM

LOW

MID

HIGH

SOURCE

GAIN

2B2A

PH/CD 2 AUX 2PH/CD 1 AUX 1

MP2 014

135 380

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

+10

-1

-2

-3

-5

-7

-10

-15

-24

4 5 6

∞

0 dB

+10

∞

0 dB

+10

∞

0 dB

+10

OFF

4 5 6

OFF

4 5 6

BASS TREBLE

LOW HIGH

4 5 6

225

640

1.7k 4.75k

1.0k

2.8k

8.0k

MIX

CUE

MP2014 MANUAL

Class Compliant USB Ports

The USB ports are 100% class compliant, connecting to Mac OS X without the need for an additional driver. A high-

performance ASIO driver runs most Windows DAW and DJ software. MIDI end points are class compliant with both OS X

and Windows devices. Mac and Windows Control Panel installers with additional mixer settings are included on the CD-

ROM with the MP2014, and current versions available from the Downloads link in the MP2014 page at dj.rane.com.

ASIO (Windows)

A low-latency ASIO driver interfaces with most DJ and DAW audio software applications on Windows operating systems.

Multi-client ASIO allows different audio software applications to simultaneously stream audio to and from the MP2014.

If the same playback channel is selected in more than one application, the driver mixes the audio from the applications

before streaming it to the device. ASIO driver and Rane Control Panel system requires Windows 7-SP1, 8.1, or 10. The driver

Control Panel may be launched from the Windows Control Panel. Select Start > Control Panel > Rane Products.

Core Audio (Macintosh)

No driver installation is required. Connect the MP2014 to a Mac running OSX, and the MP2014 inputs and outputs become

available in your audio program. Install the Rane control panel to provide additional setting as described below.

Control Panel

NOTE: Settings are saved in the mixer. The control panel for Windows or Macintosh is updated with the mixer’s settings.

Therefore, when you connect to a different MP2014 Mixer, it's saved settings override your previous Control Panel settings.

NOTE: The Rane Control Panel and Firmware may be updated with new features over time. To get the most from your

MP2014, occasionally check the Downloads link in the MP2014 page at dj.rane.com.

Settings

The MP2014 allows you to save and export settings. You can load your preferences when using a different MP2014 than

your own, or putting things back after another DJ has used your mixer.

Once you have set control panel preferences, click to write these to a computer le. Click to load a .rms Export Import

settings le. The control panel shows the current settings le loaded in the mixer. If any changes are made since the last

import, [Modied] will appear after the lename along with a button, offering to save your changes as the new default.Save

Firmware

The MP2014 Firmware Version currently installed in the MP2014 is shown. The link on the MP2014 page at Downloads

dj.rane.com is the place to check if there is a control panel / rmware update. After downloading and installing, if the

MP2014 rmware installed on your computer is newer than the rmware in your MP2014, an Update Firmware button is

enabled. Pressing the button updates the MP2014 rmware to the new version.

General Tab

Main Out can be set to Stereo or Mono. The Booth and

Session Outputs are always in stereo.

Headphone Tone slider adjusts the tone going to the

headphones using spectral tilt lters.

• Increasing Treble reduces lows by the same amount.

• Increasing Bass reduces highs by the same amount.

Mic Clean Feed when selected, the microphone signal

is only sent to the Main Out and is not present in the USB

Main Record, Booth Out or Session Out. This allows you to

record your set without any house announcements. Default

is Off.

MP2014 MANUAL

Port MIDI Enable enables MIDI commands to/from the MP2014 Mixer controls at the current USB Port. Default is Off.

Port MIDI Channel assigns MIDI channel 1-16 to the MP2014 Mixer at the current USB Port. Default is MIDI channel 1.

USB Port Status indicates the connection status of both USB ports. Active indicates a USB connection between the mixer

and a computer. Local shows the USB Port connected to this control panel's computer.

The control allows the USB buffer to be increased or decreased. This only appears in the Rane Control Panel Buffer Size

for ASIO in Windows. In Mac systems, the buffer control is in the DAW or DJ audio preferences screen and does not appear

here. The Rane driver is designed to run at latencies as low as 5 milliseconds round-trip. However, computer performance

and available resources (number of applications running) may adversely affect the computer’s ability to stream audio

reliably. If pops and clicks are heard in USB audio, try increasing the buffer size to eliminate them. With ASIO, total round-

trip latency is equal to Buffer Size plus device latency. With Core Audio, total round-trip latency is determined by the Buffer

Size set by the DAW/DJ software, plus device latency. Device latency is 3 to 4 ms.

Deck Inputs I-II Tab

Analog Input Source: The analog input for each Deck

must be set appropriately for Phono or CD player using a

switch on the rear of the mixer. The control panel shows the

mode selected by these switches for Decks I and II. This

mode can only be changed on the mixer.

Phono Sensitivity: If a Phono Input is selected on the

mixer (as shown for Deck I) the Sensitivity (mV) adjustment

appears in the panel. Click the down-arrow to display a

list of 16 Sensitivity settings between 2.5mV and 10mV in

0.5mV steps. The default is 5mV. Set the Phono Sensitivity

to the same level of your cartridge (see your cartridge

documentation for the correct value). Another method is to

match the level of the turntable to a CD playing on another

input.

Tone Crossover sets the crossover points of the 3-band Tone controls for each of the Deck channels to either:

• 300 Hz between Low and Mid, 3 kHz between Mid and High.

• 150 Hz between Low and Mid, 6 kHz between Mid and High (default).

Product specificaties

Merk:	Rane
Categorie:	Mengpaneel
Model:	MP2014
Gewicht:	4700 g
Breedte:	279.4 mm
Diepte:	109.5 mm
Hoogte:	355.6 mm
Aantal USB 2.0-poorten:	2
Microfoon, line-in ingang:	Ja
Frequentiebereik:	20 - 20000 Hz
AUX ingang:	Ja
Totale harmonische vervorming (THD):	0.001 procent
Phono ingang (RCA):	2
Digitaal geluid verwerken:	32 Bit
DJ mixer:	Ja