Hughes & Kettner 15 DFX Handleiding
Hughes & Kettner
Receiver
15 DFX
Lees hieronder de đź“– handleiding in het Nederlandse voor Hughes & Kettner 15 DFX (32 pagina's) in de categorie Receiver. Deze handleiding was nuttig voor 25 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/32
deutsch english español français italiano
Edition Blue™ DFX
Manual 1.2
Edition Blue™ 15/30/60 DFX
Herzlichen GlĂĽckwunsch zu Deinem
Hughes & Kettner® Edition Blue™ DFX
Ein Team aus Gitarristen und Technikern hat die Edition Blue™ DFX
Amps mit dem Ziel entwickelt, anspruchsvolle Gitarrensounds
mit einfachster Bedienung und praxisgerechter Ausstattung zum
bezahlbaren Preis zu kombinieren. Der Edition Blue™ DFX ist das ideale
Arbeitsgerät für anspruchsvolle Gitarristen, die amtliche Grundsounds in
einem kompakten Amp fordern. Edition Blue™ DFX Amps überzeugen
bei kleinen Live-Gigs, im Studio und im Ăśbungsraum durch Sound,
Flexibilität und Ausstattung.
Viel Erfolg und Spass am “Tone” mit deinem Edition Blue™ DFX!
Vor der Inbetriebnahme!
• Vergewissere Dich vor dem Anschluss des Edition Blue™ DFX, dass
der nahe der Netzbuchse angegebene Spannungswert mit der
vorhandenen Netzspannung ĂĽbereinstimmt.
• Stelle eine ausreichende Luftzufuhr an den Kühlflächen des
Gerätes sicher.
• Achte auf einen festen Stellplatz, der mechanische und thermische
Fremdeinwirkungen, welche die Betriebssicherheit des Gerätes oder
die Sicherheit von Personen beeinträchtigen könnten, ausschließt.
• Für Schäden am Gerät, die durch unsachgemäßen Betrieb entstehen
wird seitens des Herstellers keine Haftung ĂĽbernommen.
Wichtig:
Bitte lies vor der Inbetriebnahme unbedingt die Sicherheitshinweise auf
den Seiten 28-30!
Inhalt
1 Die Kanäle des Edition Blue™ DFX .......... 3
1.1 Der Clean-Kanal
1.2 Volume
1.3 Channel Select
1.4 Der Lead-Kanal
1.5 Lead Gain
1.6 Lead Master
1.7 Bass, Mid, Treble
1.8 Master
2 Die Effekte des Edition Blue™ DFX .......... 3
2.1 Preset Adjust
2.2 Chorus
2.3 Flanger
2.4 Delay
2.5 FX Level
2.6 Reverb
3 AnschlĂĽsse und weitere Bedienelemente .. 4
3.1 Input
3.2 Line Out und Line In
3.3 Footswitch
3.4 Headphones
3.5 CD Input
3.6 Mains
4 Standard-Setup und Verkabelung ............ 5
5 Wartung und Service ............................ 5
6 Troubleshooting .................................... 5
7 Technische Daten .................................. 6
8 Sampling Settings ................................. 27
2
Edition Blue™ 15/30/60 DFX
deutsch
1 Die Kanäle des Edition Blue™ DFX
Der Edition Blue™ DFX ist mit zwei Kanälen, Clean und Lead,
ausgestattet. Sein innovatives Schaltungskonzept, das wichtige
soundgestaltende Elemente von Röhrenamps in Halbleitertechnik
simuliert, verleiht beiden Kanälen die Dynamik, die ein anspruchsvoller
Gitarrist fĂĽr seinen musikalischen Ausdruck braucht. Die sensible
Vorstufe des Edition Blue™ DFX realisiert nicht nur harmonischen
Overdrive, sondern auch ein besonders dynamisches Reagieren
auf die Spielweise.
1.1 Der Clean-Kanal
Je nach Einstellung der Vorstufe können moderne oder „Vintage”
Cleansounds realisiert werden.
1.2 Volume
Regelt die Lautstärke des Clean-Kanals. Je nach Ausgangsleistung der
Pickups lassen sich ab ca. „12 Uhr“ Stellung leicht übersteuerte Sounds
realisieren. Bei Bedarf wird so aus diesem Clean- ein Crunch-Kanal.
1.3 Channel Select
Schaltet zwischen Clean- und dem Lead-Kanal um. Bei gedrĂĽcktem
Schalter ist der Lead-Kanal aktiv.
1.4 Der Lead-Kanal
Klassische, offene Rocksounds – direkt und dynamisch. Insbesondere
die effektive Mittenregelung an der Klangregelung ermöglicht eine
groĂźe Bandbreite von Leadsounds.
1.5 Lead Gain
Kontrolliert den Ăśbersteuerungsgrad des Lead-Kanals.
1.6 Volume
Regelt die Lautstärke des Lead-Kanals im Verhältnis zum Clean-Kanal.
1.7 Bass, Mid, Treble
Die Klangregelung gilt für beide Kanäle. Mid und Treble beeinflussen
sich gegenseitig (wie beim Vorbild Röhrenamp üblich und erwünscht):
eine Höhenanhebung bewirkt eine Mittenabsenkung und umgekehrt.
Diese Charakteristik ermöglicht ein größtmögliches Spektrum von
Soundnuancen.
1.8 Master
Kontrolliert die Gesamtlautstärke des Edition Blue™ DFX inklusive der
Effekte. Der Pegel des Line Out bleibt von diesem Regler unbeeinflusst.
2 Die Effekte des Edition Blue™ DFX
Der Edition Blue™ DFX ist mit zwei unabhängigen „Effektgeräten“
ausgestattet. Gerät 1: Modulationseffekte und Delay, Gerät 2: digitales
Spring-Reverb. Die beiden Effektgeräte sind gleichzeitig nutzbar und
unabhängig voneinander einstellbar. Die Einstellungen gelten sowohl
fĂĽr den Clean- als auch fĂĽr den Lead-Kanal.
2.1 Preset Adjust
Der erste Effektsektion des Edition Blue™ DFX bietet Dir die beiden
wichtigsten Modulationseffekte Chorus und Flanger, sowie ein Delay.
Sie liegen hintereinander auf dem Preset Adjust-Regler. Im ersten
Drittel ist der Chorus aktiv, im zweiten Drittel der Flanger, im letzten
Drittel das Delay. Innerhalb eines Drittels kannst Du mit diesem Poti
den Charakter des Effektes ändern. Die Parameter sind dabei so
gewählt, dass sich stets gut klingende Werte einstellen lassen, die
schnell und unkompliziert zum gewĂĽnschten Effekt fĂĽhren. Durch
Drehen im Uhrzeigersinn ändert sich die Geschwindigkeit (Rate) der
Modulationseffekte. Abhängig von der Rate wird die Modulationstiefe
(Depth) automatisch so mitgeregelt, dass bei jeder Reglerstellung
immer der bestmögliche Effektsound zu hören ist. Beim Delay ändern
sich gleichzeitig die Verzögerungszeit (Time) sowie die Anzahl der
Wiederholungen (Feedback). Das Mischungsverhältnis zwischen
„trockenem“ Signal und den Effekten lässt sich stufenlos mit FX Level
regeln.
2.2 Chorus
Bei langsamen Einstellungen klingt der Chorus schön tief und
fett, bestens geeignet fĂĽr schwebende Balladensounds. Dank der
automatisch mitgeregelten Effekt-Tiefe „jaulen“ schnelle Chorus-
Einstellungen nicht.
2.3 Flanger
Der langsame Flanger „fräst richtig heftig“, mit den schnellen
Einstellungen lassen sich aktuelle Rock- und Pop-Effekte realisieren.
2.4 Delay
Beim Delay wird die Zeit bis zur nächsten Wiederholung stufenlos von
80 ms bis 1400 ms geregelt. Dabei wird das Feedback automatisch
angepasst. Die kurzen Delays mit wenig Feedback eignen sich bestens
für „Rockabilly“-Sounds, mittlere Zeiten sind perfekt für typische
„U2“-Sounds, mit langen Zeiten lassen sich kanonartige „Queen-Licks“
spielen.
2.5 FX Level
Dieser Regler bestimmt, wieviel Chorus/Flanger/Delay dem Sound
beigemischt werden sollen. Bei Linksanschlag ist das Signal „trocken“,
Effektsektion eins quasi ausgeschaltet. Beim Rechtsanschlag besteht ein
Mischungsverhältnis von 1:1. Der FX Level-Regler arbeitet unabhängig
vom Reverb-Regler.
3
Product specificaties
Merk: | Hughes & Kettner |
Categorie: | Receiver |
Model: | 15 DFX |
Kleur van het product: | Zwart |
Gewicht: | 8000 g |
Breedte: | 425 mm |
Diepte: | 375 mm |
Hoogte: | 195 mm |
Connectiviteitstechnologie: | Bedraad |
Hoofdtelefoonuitgangen: | 1 |
Bedoeld voor: | Optreden/podium |
Audio-uitgangskanalen: | 2.0 kanalen |
Signaal/ruis-verhouding: | - dB |
Totale harmonische vervorming (THD): | - procent |
Piekvermogen per kanaal: | 15 W |
Heb je hulp nodig?
Als je hulp nodig hebt met Hughes & Kettner 15 DFX stel dan hieronder een vraag en andere gebruikers zullen je antwoorden
Handleiding Receiver Hughes & Kettner
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
15 Augustus 2023
Handleiding Receiver
- Receiver Bosch
- Receiver Philips
- Receiver Sony
- Receiver Panasonic
- Receiver Brondi
- Receiver Asus
- Receiver Garmin
- Receiver JVC
- Receiver JBL
- Receiver Kenwood
- Receiver Motorola
- Receiver Nokia
- Receiver Onkyo
- Receiver Pioneer
- Receiver Yamaha
- Receiver Advance Acoustic
- Receiver AEA
- Receiver Aiwa
- Receiver Akai
- Receiver Akg
- Receiver Alecto
- Receiver Alpine
- Receiver Alto
- Receiver Amazon
- Receiver American Audio
- Receiver Amiko
- Receiver Ampeg
- Receiver Amplicom
- Receiver Apart
- Receiver Arcam
- Receiver Artsound
- Receiver Astro
- Receiver Audio Pro
- Receiver Audio-Technica
- Receiver Audiolab
- Receiver Audison
- Receiver Audizio
- Receiver Auna
- Receiver AVM
- Receiver Axis
- Receiver Axton
- Receiver Bang Olufsen
- Receiver Behringer
- Receiver Belkin
- Receiver Blaupunkt
- Receiver Bluesound
- Receiver Bose
- Receiver Boss
- Receiver Brigmton
- Receiver DAP
- Receiver DAP Audio
- Receiver Definitive Technology
- Receiver Denon
- Receiver Denson
- Receiver Denver
- Receiver Devialet
- Receiver Devolo
- Receiver DIO
- Receiver DLS
- Receiver Dreambox
- Receiver Dual
- Receiver Ebode
- Receiver Edision
- Receiver Elac
- Receiver Elektrobock
- Receiver ESX
- Receiver Fender
- Receiver Fenton
- Receiver Ferguson
- Receiver Fiio
- Receiver Focal
- Receiver Focusrite
- Receiver Formuler
- Receiver Fusion
- Receiver Geemarc
- Receiver Gira
- Receiver Godox
- Receiver Goobay
- Receiver Graupner
- Receiver Ground Zero
- Receiver Hager
- Receiver Hama
- Receiver Harman Kardon
- Receiver Hartke
- Receiver Helix
- Receiver Hertz
- Receiver Hifonics
- Receiver Hirschmann
- Receiver Homecast
- Receiver HQ
- Receiver HQ Power
- Receiver HUMANTECHNIK
- Receiver Humax
- Receiver Icom
- Receiver Imperial
- Receiver Infinity
- Receiver Insignia
- Receiver Iriver
- Receiver Kathrein
- Receiver Kicker
- Receiver Klipsch
- Receiver Koda
- Receiver Kogan
- Receiver Konig
- Receiver Lanzar
- Receiver LD Systems
- Receiver Legamaster
- Receiver Line 6
- Receiver Logilink
- Receiver Logitech
- Receiver Luxman
- Receiver Mac Audio
- Receiver Mackie
- Receiver Magnat
- Receiver Manhattan
- Receiver Marantz
- Receiver Marmitek
- Receiver Marquant
- Receiver Marshall
- Receiver Maxview
- Receiver MB Quart
- Receiver Medeli
- Receiver Megasat
- Receiver Meliconi
- Receiver Mercury
- Receiver Meridian
- Receiver Metronic
- Receiver Monacor
- Receiver Monitor Audio
- Receiver Mtx Audio
- Receiver Mx Onda
- Receiver NAD
- Receiver Naim
- Receiver Nedis
- Receiver Peavey
- Receiver Phoenix Gold
- Receiver Pinnacle
- Receiver Plantronics
- Receiver Polk
- Receiver Power Dynamics
- Receiver Pyle
- Receiver Raymarine
- Receiver RCF
- Receiver Reely
- Receiver REL Acoustics
- Receiver Reloop
- Receiver Renegade
- Receiver Renkforce
- Receiver Revox
- Receiver Rockford Fosgate
- Receiver Roland
- Receiver Rotel
- Receiver Sagem
- Receiver Salora
- Receiver Salus
- Receiver Samson
- Receiver Sangean
- Receiver Saramonic
- Receiver Scansonic
- Receiver Selfsat
- Receiver Sencor
- Receiver Sennheiser
- Receiver Sharp
- Receiver Sherwood
- Receiver Silvercrest
- Receiver Simrad
- Receiver Skytec
- Receiver Skytronic
- Receiver Smart
- Receiver Smartwares
- Receiver Sogo
- Receiver Soundstream
- Receiver Stinger
- Receiver Strong
- Receiver Sunstech
- Receiver Synq
- Receiver Tangent
- Receiver Tascam
- Receiver Teac
- Receiver Technics
- Receiver Technisat
- Receiver Telefunken
- Receiver Telestar
- Receiver Terratec
- Receiver Teufel
- Receiver Thomson
- Receiver Thorens
- Receiver Toa
- Receiver Triax
- Receiver Trust
- Receiver TV STAR
- Receiver Universal Remote Control
- Receiver Velleman
- Receiver Velodyne
- Receiver Vivanco
- Receiver Vivotek
- Receiver Vonyx
- Receiver Wharfedale
- Receiver Winegard
- Receiver Xoro
- Receiver Xsarius
- Receiver Xtrend
- Receiver Yaesu
- Receiver Zalman
- Receiver Zehnder
- Receiver Zgemma
- Receiver Zoom
- Receiver Jabra
- Receiver Jamo
- Receiver JB Systems
- Receiver Jensen
- Receiver JL Audio
- Receiver Jung
- Receiver Octagon
- Receiver Omnitronic
- Receiver Optex
- Receiver Optoma
- Receiver Anthem
- Receiver Cambridge
- Receiver McIntosh
- Receiver Vincent
- Receiver Inateck
- Receiver Palsonic
- Receiver Vox
- Receiver Bang And Olufsen
- Receiver Bowers And Wilkins
- Receiver Caliber
- Receiver CSL
- Receiver Exibel
- Receiver GoGEN
- Receiver KrĂĽger And Matz
- Receiver Monoprice
- Receiver Naxa
- Receiver Sandberg
- Receiver Shure
- Receiver Steren
- Receiver Redline
- Receiver Hilti
- Receiver Clarion
- Receiver Conrad
- Receiver Bush
- Receiver EMOS
- Receiver Televés
- Receiver MXL
- Receiver Cabasse
- Receiver Aplic
- Receiver Atlona
- Receiver Majestic
- Receiver Trevi
- Receiver Crunch
- Receiver Vivolink
- Receiver SIIG
- Receiver Avantree
- Receiver Classé
- Receiver HEOS
- Receiver Scosche
- Receiver Canton
- Receiver Genie
- Receiver Tripp Lite
- Receiver James
- Receiver QTX
- Receiver Nexa
- Receiver Musical Fidelity
- Receiver Quad
- Receiver Valcom
- Receiver Integra
- Receiver Orava
- Receiver Canyon
- Receiver Cisco
- Receiver Block
- Receiver Pro-Ject
- Receiver Rega
- Receiver Whistler
- Receiver Delta Dore
- Receiver Vision
- Receiver Matrox
- Receiver Citronic
- Receiver Crown
- Receiver Dynacord
- Receiver Krell
- Receiver Mark Levinson
- Receiver Phonic
- Receiver Yorkville
- Receiver Gefen
- Receiver Audix
- Receiver Chamberlain
- Receiver Thomann
- Receiver Karma
- Receiver LEA
- Receiver LTC
- Receiver GlobalSat
- Receiver Lindy
- Receiver IFM
- Receiver DataVideo
- Receiver ART
- Receiver Summit Audio
- Receiver Musway
- Receiver Avalon
- Receiver Sonance
- Receiver Oculus VR
- Receiver Vaddio
- Receiver Bogen
- Receiver Galaxy Audio
- Receiver Dahua Technology
- Receiver Neumann
- Receiver Pyle Pro
- Receiver PreSonus
- Receiver Roksan
- Receiver Electro-Voice
- Receiver Rupert Neve Designs
- Receiver Valueline
- Receiver Chandler
- Receiver RDL
- Receiver Chord
- Receiver Fredenstein
- Receiver QSC
- Receiver Audac
- Receiver Marshall Electronics
- Receiver Golden Age Project
- Receiver BOYA
- Receiver Eventide
- Receiver Radial Engineering
- Receiver ATen
- Receiver Metra
- Receiver Russound
- Receiver Engel Axil
- Receiver Comica
- Receiver Audient
- Receiver Hegel
- Receiver PAC
- Receiver Mooer
- Receiver August
- Receiver DBX
- Receiver JETI
- Receiver Homematic IP
- Receiver Kopul
- Receiver Linn
- Receiver Martin Logan
- Receiver Extron
- Receiver Ibiza Sound
- Receiver Exposure
- Receiver Fostex
- Receiver Proel
- Receiver FBT
- Receiver MIPRO
- Receiver Solid State Logic
- Receiver Neets
- Receiver NAV-TV
- Receiver AMX
- Receiver HiFi ROSE
- Receiver OSD Audio
- Receiver Blackstar
- Receiver Crestron
- Receiver RME
- Receiver Black Lion Audio
- Receiver Adastra
- Receiver Konig & Meyer
- Receiver PSB
- Receiver Music Hall
- Receiver Aeon Labs
- Receiver Markbass
- Receiver StarTech.com
- Receiver Warm Audio
- Receiver AudioControl
- Receiver PureLink
- Receiver SPL
- Receiver Deaf Bonce
- Receiver Lindell Audio
- Receiver Smart-AVI
- Receiver PSSO
- Receiver Crest Audio
- Receiver Grace Design
- Receiver Primare
- Receiver Sonifex
- Receiver Xantech
- Receiver Kali Audio
- Receiver Audioengine
- Receiver Kramer
- Receiver IFi Audio
- Receiver Revel
- Receiver Wet Sounds
- Receiver Manley
- Receiver MEE Audio
- Receiver KanexPro
- Receiver Intelix
- Receiver Ibanez
- Receiver Blustream
- Receiver SVS
- Receiver Ashly
- Receiver Madison
- Receiver Match
- Receiver Vocopro
- Receiver Laney
- Receiver Universal Audio
- Receiver EA
- Receiver DirecTV
- Receiver GOgroove
- Receiver Ocean Matrix
- Receiver Speco Technologies
- Receiver Kemo
- Receiver Morel
- Receiver SRS
- Receiver LYYT
- Receiver Antelope Audio
- Receiver CE Labs
- Receiver Panduit
- Receiver Pharos
- Receiver Accell
- Receiver Jolida
- Receiver Intertechno
- Receiver Inovonics
- Receiver Ecler
- Receiver Viscount
- Receiver Ashdown Engineering
- Receiver Aquatic AV
- Receiver Parasound
- Receiver DB Technologies
- Receiver Roswell
- Receiver Epcom
- Receiver Kanto
- Receiver Sunfire
- Receiver Bugera
- Receiver InLine
- Receiver CYP
- Receiver Topp Pro
- Receiver Cyrus
- Receiver Palmer
- Receiver Astell&Kern
- Receiver TV One
- Receiver Dimavery
- Receiver AMS Neve
- Receiver Powersoft
- Receiver Cranborne Audio
- Receiver LinksPoint
- Receiver Lotronic
- Receiver Esoteric
- Receiver IMG Stage Line
- Receiver Wireless Solution
- Receiver Leviton
- Receiver Atlas Sound
- Receiver Aurel
- Receiver NUVO
- Receiver Phoenix Audio
- Receiver AVPro Edge
- Receiver Comtek
- Receiver Fishman
- Receiver RetroSound
- Receiver Pyramid
- Receiver Sound Ordnance
- Receiver FiveO
- Receiver Planet Audio
- Receiver SureCall
- Receiver Ram Audio
- Receiver AVMATRIX
- Receiver Trace Elliot
- Receiver JTS
- Receiver AER
- Receiver Dynavox
- Receiver Modelcraft
- Receiver Fontastic
- Receiver Klark Teknik
- Receiver Lectrosonics
- Receiver Simaudio
- Receiver TIC
- Receiver Niles
- Receiver Knoll
- Receiver Creek
- Receiver Mobile Crossing
- Receiver The T.amp
- Receiver Sound Devices
- Receiver FSR
- Receiver Edwards Signaling
- Receiver GigaBlue
- Receiver ANKARO
- Receiver Alfatron
- Receiver Key Digital
- Receiver CAD Audio
- Receiver Polsen
- Receiver Whirlwind
- Receiver Triangle
- Receiver Lab Gruppen
- Receiver Wavtech
- Receiver AmpliVox
- Receiver Audiofrog
- Receiver Memphis Audio
- Receiver CyberData Systems
- Receiver BZBGear
- Receiver Rolls
- Receiver WyreStorm
- Receiver Williams Sound
- Receiver Lyngdorf
- Receiver WesAudio
- Receiver AudioSource
- Receiver Stewart
- Receiver Leema
- Receiver Apantac
- Receiver MuxLab
- Receiver Axing
- Receiver Camille Bauer
- Receiver Seco-Larm
- Receiver Mosconi
- Receiver Crest
- Receiver TechLogix Networx
- Receiver Audibax
- Receiver BC Acoustique
- Receiver Gold Note
- Receiver IOTAVX
- Receiver Fosi Audio
- Receiver A-NeuVideo
- Receiver Shinybow
- Receiver S.M.S.L
- Receiver Rexing
- Receiver NuPrime
- Receiver Shanling
- Receiver Inter-M
- Receiver Sinus Live
- Receiver Soundtrack
- Receiver Canor
- Receiver C2G
- Receiver Unison Research
- Receiver Cerwin-Vega
- Receiver BMB
- Receiver Advance
- Receiver Cloud
- Receiver Lumantek
- Receiver Audiotec Fischer
- Receiver Taga Harmony
- Receiver Datapath
- Receiver PTN-electronics
- Receiver Clare Controls
- Receiver Loxjie
- Receiver Cayin
- Receiver Technical Pro
- Receiver VMV
- Receiver Black Hydra
- Receiver Bellari
- Receiver Comprehensive
- Receiver Benchmark
- Receiver FoneStar
- Receiver Henry Engineering
- Receiver Glemm
Nieuwste handleidingen voor Receiver
21 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024
20 November 2024