Electro Harmonix Enigma: Q Balls Handleiding

Electro Harmonix Niet gecategoriseerd Enigma: Q Balls

Lees hieronder de 📖 handleiding in het Nederlandse voor Electro Harmonix Enigma: Q Balls (4 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 45 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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ENIGMA: Q BALLS

FOR BASS

ongratulations on your purchase of the Enigma: Q-Balls envelope

controlled filter for bass! This is a very powerful tool for musical

expression that opens a new horizon of sonic potential for your

bass. Please take a few minutes to familiarize yourself with the

Enigma’s controls and how they work.

Envelope controlled filters are a unique type of sound modifier where the

intensity of the effect is controlled by the user’s playing dynamics. The

volume and dynamic of the incoming audio signal is used to control a swept

filter. As the volume increases or decreases so does the frequency of the

filter.

With 3 selectable filter modes, along with START, STOP, ATTACK, DECAY,

Q SENSITIVITY and controls, all of the classic Q sounds are available to

the user. Also, many new sounds and vivid textures can be achieved like

never before. A new analog distortion circuit was created specifically for the

ENIGMA, and adds a dynamic edge to the filters sound. With the addition of

an expression pedal input (expression pedal not included), the ENIGMA

provides manual control of the filter sweep.

— — POWER

— — CONTROLS

BLEND –Controls the output mix of the dry and eected signal. Fully CCW is

100% dry with no eect added. Fully CW is 100% wet with no remaining dry

signal.

WARNING: -200Bl AC Adapter Use only the US96DC that the

ENIGMA comes supplied with. Do not use any other AC Adapters.

Using other AC adapters, even those made by Electro-Harmonix, could

cause harm to the unit, the adapter or you. The ENIGMA does not use

batteries.

MODE –This is a rotary switch used to select between the 3 lter modes available

on the ENIGMA. Select between LP (low pass), BP (band pass), and HP (high pass)

modes to emphasize a dierent frequency band. Selecting between these modes

does not change the start and stop frequencies.

ATTACK –This knob controls how quickly the lter will sweep from the frequency

set by the “START” knob set by the “STOP”to the frequency knob. Fully CCW

will have the fastest attack setting and is good for quick percussive styles of playing.

Fully CW will have the slowest attack setting and creates a slower smoother sweep

for a bowed sound.

DECAY –This knob controls how sensitive the reset circuit is when falling back

from the “STOP” setting to the “START” setting. Fully CCW will have the most

sensitive reset. In this setting the sweep will reset the fastest and the easiest. Use

this when playing quick staccato notes to make sure every note triggers a new

envelope sweep. Fully CW will maximize the decay setting. Use a longer decay

setting when you don’t want every note to reset.

START –This knob sets the frequency that the sweep starts at. Fully CCW is the

lowest frequency (about 40Hz). Fully CW is the highest setting (about 3Khz). Use

this knob along with the “STOP” knob to set the range and direction of the sweep.

For example, a low “START” and a high “STOP” will sweep upward. A high

“START” and a low “STOP” will sweep downward.

STOP –This knob sets the frequency that the lter sweeps to. Fully CCW is the

lowest setting (about 40Hz). Fully CW is the highest setting (about 3KHz).

Q – This knob controls the resonance of the Q. Fully CCW is the widest bandwidth

and fully CW is the most resonant for a more dramatic eect.

SENSITIVITY –This knob controls the input sensitivity of the envelope lter

circuit. Fully CCW is the least sensitive, and the circuit will be less reactive to the

instrument input. Fully CW is the most sensitive and the circuit will be the most

reactive to the instrument input.

A NOTE ON INTERACTIVE CONTROLS:

The “ATTACK”, “DECAY”, “START”, “STOP” and “SENSITIVITY” knob are

highly interactive. If Attack is set to slow, the Decay is set to fast, or the Sensitivity

is set to low, the lter sweep may not reach the stop frequency. The lowest

frequency sweeps in the ENIGMA can be dicult to hear. If this causes the attack

to sound abrupt, tune the start position so the sweep begins at a more audible

frequency. All of the functions depend heavily on how the Sensitivity. Take some

time to become familiar with these knobs and functions and learn how they work

together to eect dierent styles of playing.

DISTORTION FOOTSWITCH/STATUS LED This footswitch engages the –

analog distortion circuitry in the ENIGMA. When distortion is engaged, the LED

will turn on, and when distortion is disengaged the LED will turn o. The intensity

of the distortion is controlled by the “SENSITIVITY” knob. Inside the pedal there is

a Trim Pot labeled “ ”DISTORTION LEVEL . This can be adjusted by the user to

ne tune the volume of the distortion when engaged. This will not aect the gain or

intensity of the distortion. adjust any other trim pot on the board as they DO NOT

have been carefully calibrated for optimum performance.

EXPRESSION PEDAL INPUT –An optional expression pedal can be used with

the ENIGMA for manual control of the lter. When the pedal is in toe up position,

the frequency will be at the “STA T” position. In the toe down position, the R

frequency will be at the “STOP” position. Use this along with various “Q” knob

setting to get resonant lter sweeps as well as wah-wah sounds with versatile a

range.

BYPASS FOOTSWITCH/STATUS LED The footswitch engages/disengages the –

eect. If the eect is engaged, the LED will light up. When the eect is disengaged,

the LED will turn o, and the pedal will be in true bypass.

INPUT Jack – Connect your instrument’s output to this ¼” mono jack. The input

impedance presented at this jack is 710Kohms

EFFECT OUT Jack –Connect this ¼” mono jack to your amplifier’s input. The

output impedance presented at this jack is ohms. 300

DIRECT OUT Jack –This is a direct out signal from the input. This signal does

not go though any of the eects circuitry.

CAUTION: This pedal was designed to give the user the maximum potential for

user customizability and there are some setting combinations that are extreme. If the

Q setting is maxed, at the peak high and low frequency this pedal can be

INCREDIBLY loud.

- WARRANTY INFORMATION -

Please register online at http://www.ehx.com/product-registration or complete and return the

enclosed warranty card within 10 days of purchase. Electro-Harmonix will repair or replace, at

its discretion, a product that fails to operate due to defects in materials or workmanship for a

period of one year from date of purchase. This applies only to original purchasers who have

bought their product from an authorized Electro-Harmonix retailer. Repaired or replaced units

will then be warranted for the unexpired portion of the original warranty term.

If you should need to return your unit for service within the warranty period, please contact

the appropriate oce listed below. Customers outside the regions listed below, please contact

EHX Customer Service for information on warranty repairs at info@ehx.com or +1-718-937-

8300. USA and Canadian customers: please obtain a (RA#) Return Authorization Number

Product specificaties

Merk:	Electro Harmonix
Categorie:	Niet gecategoriseerd
Model:	Enigma: Q Balls

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