WMD Kraken Handleiding


Lees hieronder de 📖 handleiding in het Nederlandse voor WMD Kraken (2 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 214 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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SHELL: Smoothly interpolate be-
tween 32 different shell models.
Each shell model determines the
harmonics of the sound, with in-
teraction from OVERTONE and
SNARES.
DECAY: Controls the decay param-
ter of the internal envelope. The
envelope will remain open as long
as one of the triggger inputs, HEAD
or RIM, is gate HIGH.
VELOCITY: Add life to your drum
hits with this control. Low veloc-
ity results in softer hits with less
noise and less overtones, while
high velocities punch harder and
ring out longer. Velocity is îž‹xed
around 80% max when no cable is
plugged into the CV jack.
SNARES: Control the damping lev-
el of the noisy shell harmonics. In-
creasing this control will decrease
damping, making the drum hit
more noisy and making the noise
tail longer.
KRAKEN
We’re in an octopus’
all hits will be slightly increased in de-
cay, amplitude, and velocity.
WRECK: This switch and cv input
allow you to distort the sound in
various ways. When no cable is
plugged into the WRECK cv jack a
îž‹xed amount of distortion will be
applied. The îž‹rst, fully left, posi-
tion is volume with hard clipping.
When no cable is plugged into the
WRECK jack, this is effectively a
clean setting. The middle setting
enables a wavefolder, and the far
right setting enables a distortion
based on quantization error.
MODEL: Select from three models.
Repeatable digital noise that pro-
duces the same sound on every
trigger. Analog noise, that gives a
slightly different sound with each
hit. And îž‹nally, a pitch shifting
mode controlled by PITCH that al-
lows you to take your sound into
another dimension.
LOW TUNE: Set the fundamental
frequency of the snare drum. Cor-
responding CV is labeled LO TUNE.
PITCH: Apply an offset to some of
the shell’s harmonics allowing for
îž‹ner control of the OVERTONE and
SNARES timbre.
OVERTONE: Control the damping
level of the clean shell harmon-
ics. Increasing this control will de-
crease damping, making the drum
hit more resonant as the harmon-
ics ring louder and longer.
HEAD / RIM: The HEAD and RIM inputs
trigger their own respective exciter that
enters the model at different points.
HEAD mimics striking a snare drum in
the center, and RIM mimics striking the
rim for a sidestick sound. Striking them
at the same time enables a third exciter
and produces a rim shot sound.
Size: 8hp
Depth: 30mm (with cables)
Power: +61mA, -17mA
All CV Inputs:
100k ohm impedance
CV inputs sum with knobs. Full sweep is 5V
Gate Inputs:
100k ohm impedance
2V threshold Schmitt Trigger
Audio Output:
470 ohm impedance
22Vpp range
4.0ms latency max
SPECSINTRODUCTION
After making Crucible, WMD was îž‹red up to make another
physical modeling drum module. We heard Crucibles engine make
some pretty convincing snare sounds during it’s development, so
we knew it was possible, but tweaking that engine was out of the
question. It was back to the to the fundamentals, starting again
from scratch. Delay lines, îž‹lters, and noise. Crucible taught us
physical modeling is processor intensive, so this time we began on
the computer. It wasn’t too long before we had a giant loop with
nearly 100 îž‹lters, but it sounded like a snare. With the motivation
of actually having the sound we wanted we began tearing down
this massive karplus like loop structure into a more manageable
algorithm that would run on a microcontroller. Slowly removing
things and documenting their effect on the overall sound. Eventually
we had something that ran fast enough, no extra processes, only
what matters. After many months of tinkering and detailing we
present to you Kraken, our physical modeling snare drum module.
We hope it inspires you to make art you love!


Product specificaties

Merk: WMD
Categorie: Niet gecategoriseerd
Model: Kraken

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