Ashdown Engineering CTM 100 Handleiding
Ashdown Engineering
Receiver
CTM 100
Lees hieronder de š handleiding in het Nederlandse voor Ashdown Engineering CTM 100 (4 pagina's) in de categorie Receiver. Deze handleiding was nuttig voor 52 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/4
2www.ashdownmusic.com
Ashdown Ampliīers reserve the right to change speciīcations without notice. E & O E. All contents Ā© Ashdown 2012.
USER MANUAL
CTM 300 / CTM 100
Thank you for choosing an Ashdown Valve Series ampliļ¬er. To ensure
that you receive the full beneļ¬ts of the Ashdown warranty, please
register your ampliļ¬er at www.ashdownmusic.com
WARRANTY
Your ampliļ¬er is covered by a one year warranty, against defects in
materials and workmanship, for the original purchaser. Ashdown will, at
their discretion, replace or repair any product or part thereof, which is
found by Ashdown to be defective. This warranty shall not apply to the
damage of covering, ļ¬ttings or ļ¬nishes when affected by carelessness,
accident or extreme climate changes. Nor does it apply to normal wear
and tear of parts such as valves, fuses, light bulbs, speakers, controls etc.
In the unlikely event of any defect, please contact an authorised
Ashdown dealer. All transport charges are to be pre-paid by the Owner.
Unless your purchase is registered on-line, normal country warranty laws
apply.
IMPORTANT SAFETY INSTRUCTIONS
This Ashdown ampliļ¬er has been designed to provide you with many
years of faithful service ā on the road, in a studio or in a domestic
environment. By following the rules set out below, you will ensure
that the unit functions safely.
Valve (tube) instrument ampliļ¬ers contain very high voltages and fragile
glass tubes and should therefore be handled with care. A number of
important precautions which must be observed are set out below.
Before using the ampliļ¬er, run through the check list below. If you are
in any doubt about any aspect of the ampliļ¬erās operation, stop using
it immediately and do not resume operation until the ampliļ¬er has been
thoroughly inspected by a qualiļ¬ed technician.
1) Storage and moving
When your ampliļ¬er is not in use make sure that the power cord
is unplugged from the mains outlet, and that all leads are removed
from the ampliļ¬er, including jack leads and footswitch leads. Jack
socket connectors are self-cleaning, so the process of plugging in
and unplugging the leads when not in use will ensure that the internal
contacts will be cleaned when you plug in again.
Store your ampliļ¬er in a warm, dry place away from moisture and
condensation. A motor vehicle or cellar may look dry but condensation
can form inside the unit causing short circuits and possible electric shock.
If you suspect the ampliļ¬er may have become exposed to moisture,
move it to a warm dry place and leave it to dry out for at least 48 hours
before attempting to use it.
Condensation can also occur when you move the ampliļ¬er from a hot
humid place (such as a nightclub) to a cold place (like a motor vehicle).
In such instances, always move the ampliļ¬er into a warm dry room to
prevent damage.
When moving the ampliļ¬er, handle it as carefully as you would your
instruments. Although solidly built, an ampliļ¬er is easily damaged
by shock, so be careful not to drop it or allow it to fall over. Use a
protective cover to protect the ļ¬nish and, if you are transporting it with
other equipment, make sure that the ampliļ¬er is on a solid ļ¬oor at the
bottom of the pile.
Ampliļ¬ers are heavy. Take care when lifting, always use the handles
ļ¬tted to the ampliļ¬er to move it, and get help if you have to lift the
ampliļ¬er to a greater height than you feel comfortable with.
Never attempt to operate the ampliļ¬er after it has been dropped. Take it
to a qualiļ¬ed technician and have it checked before using it again.
2) Leads and plugs
Your ampliļ¬er contains possibly lethal voltages and must therefore be
connected to the mains using the correct power cord, which is a three
terminal type with a ground connection.
The power cord supplied with the unit should be of the correct type. If it
does not ļ¬t your mains outlet consult your dealer or a qualiļ¬ed electrician
for advice before attempting to use the ampliļ¬er.
Never modify the power cord or attempt to use it with a two pin outlet.
Store all your leads in a dry case and take care when packing them
away. All leads, including guitar leads, are easily damaged with
careless handling, so it is a good idea to carry a spare lead of every
type you use. Flexible power cords get damaged very easily. At the ļ¬rst
sign of damage, discard it and purchase a new one. Always replace
the power cord with one of the same type. Moulded cords are the best
choice with both plugs permanently ļ¬tted to the cord.
When using your ampliļ¬er and other equipment it is a good idea to
connect to the supply using a unit known as an R.C.D. These units are
not expensive and offer the user additional protection against electric
shock. An electrical shop should be able to supply you with a suitable
unit.
3) Before Use
Inspect your ampliļ¬er for damage before use. Check each lead for
damage before you plug them in to the ampliļ¬er, and ensure that the
loudspeaker is connected before you switch the ampliļ¬er on.
Never try to operate the ampliļ¬er without the speaker connected. If
you do, serious damage to the ampliļ¬er will result which will be very
expensive to repair.
Double check the connections you have made to your ampliļ¬er and
make sure you have connected the speaker to the correct outlet socket
that matches the cabinet you are using. The impedance of the speaker
is important and is usually shown on a plate afļ¬xed to the back of the
cabinet, so if the cabinet is 16R (Ohms) then you plug into the 16R outlet
on the ampliļ¬er.
4) Using the ampliļ¬er
When you set the ampliļ¬er up for use, it is important that you adhere to
the following rules:
Place the ampliļ¬er away from sources of heat, including radiators, etc.
The ampliļ¬er itself will get hot in normal use.
Make sure that all the grilles on the ampliļ¬er are not obstructed in any
way so that cooling air can circulate through the ampliļ¬er. Do not place
anything on or behind the ampliļ¬er that might restrict the ļ¬ow of air. This
includes items of clothing, or other equipment.
WELCOME TO ASHDOWN VALVE BASS AMPS
4www.ashdownmusic.com
FRONT PANEL FACILITIES
INPUTS - There are two instrument inputs marked LOW and HIGH. The LOW input is highly sensitivity and also high
impedance to suit the output from PASSIVE (Low Output) basses - The HIGH input is low sensitivity and lower impedance to
suit the output from ACTIVE (High Output) basses. Plugging an active (High Output) bass into the LOW input will overload the
input, creating a fatter, warmer and more distorted sound. Experiment by plugging your bass into either input to achieve the
desired sound.
EFFECTS SEND AND RETURN - These 1/4ā jack sockets should be used to connect to an external effects device or pedal board.
The EFFECTS SEND output should connect to the INPUT of the effects unit, and the output of the effects unit should be connected
to the EFFECTS RETURN input.
EQ CONTROLS - Use the MIDDLE, BASS and TREBLE controls to effect the overall tone of the sound. The MID SHIFT switch
causes the MIDDLE control to operate on higher frequencies in the up position, and lower frequencies in the down position.
The BASS SHIFT switch causes the BASS control to operate on deeper frequencies in the up position, and less deep frequencies
in the down position. The BRIGHT switch adds an overall brightness to the sound when in the up position. (Note: The BRIGHT
switch is not effective when the GAIN control is set to full).
GAIN - This controls the level of the signal sent to the MASTER section. To achieve a cleaner sound, turn the GAIN control down
and the MASTER up. To achieve a richer, more distorted sound, turn the GAIN control up and the MASTER down.
MASTER - This controls the overall output of the ampliļ¬er.
MUTE - In the in position, this switch mutes the out put of the ampliļ¬er (useful for tuning, etc.).
PRE/POST - This switch determines whether the signal from the DI OUTPUT is taken before/PRE the EQ section (in position) or
after/POST (out position).
VU METER - The VU meter provides a visual indication of the output level of the ampliļ¬er. It also acts as a bias meter, please
see the following page for more details.
REAR PANEL FACILITIES
SPEAKER OUTPUTS - There are dedicated Speakon connectors for 2, 4 and 8! load speaker cabinet conļ¬gurations. It is
important that the correct output or outputs are used to match the impedance load of your cabinets. Please refer to the
diagrams later in this manual.
VU
Front Panel
Rear Panel
Ashdown Ampliīers reserve the right to change speciīcations without notice. E & O E. All contents Ā© Ashdown 2012.
USER MANUAL
CTM 300 / CTM 100
Product specificaties
Merk: | Ashdown Engineering |
Categorie: | Receiver |
Model: | CTM 100 |
Heb je hulp nodig?
Als je hulp nodig hebt met Ashdown Engineering CTM 100 stel dan hieronder een vraag en andere gebruikers zullen je antwoorden
Handleiding Receiver Ashdown Engineering
3 Juli 2023
6 Juni 2023
26 Mei 2023
24 Mei 2023
24 Mei 2023
22 Mei 2023
Handleiding Receiver
- Receiver Bosch
- Receiver Philips
- Receiver Sony
- Receiver Panasonic
- Receiver Brondi
- Receiver Asus
- Receiver Garmin
- Receiver JVC
- Receiver JBL
- Receiver Kenwood
- Receiver Motorola
- Receiver Nokia
- Receiver Onkyo
- Receiver Pioneer
- Receiver Yamaha
- Receiver Advance Acoustic
- Receiver AEA
- Receiver Aiwa
- Receiver Akai
- Receiver Akg
- Receiver Alecto
- Receiver Alpine
- Receiver Alto
- Receiver Amazon
- Receiver American Audio
- Receiver Amiko
- Receiver Ampeg
- Receiver Amplicom
- Receiver Apart
- Receiver Arcam
- Receiver Artsound
- Receiver Astro
- Receiver Audio Pro
- Receiver Audio-Technica
- Receiver Audiolab
- Receiver Audison
- Receiver Audizio
- Receiver Auna
- Receiver AVM
- Receiver Axis
- Receiver Axton
- Receiver Bang Olufsen
- Receiver Behringer
- Receiver Belkin
- Receiver Blaupunkt
- Receiver Bluesound
- Receiver Bose
- Receiver Boss
- Receiver Brigmton
- Receiver DAP
- Receiver DAP Audio
- Receiver Definitive Technology
- Receiver Denon
- Receiver Denson
- Receiver Denver
- Receiver Devialet
- Receiver Devolo
- Receiver DIO
- Receiver DLS
- Receiver Dreambox
- Receiver Dual
- Receiver Ebode
- Receiver Edision
- Receiver Elac
- Receiver Elektrobock
- Receiver ESX
- Receiver Fender
- Receiver Fenton
- Receiver Ferguson
- Receiver Fiio
- Receiver Focal
- Receiver Focusrite
- Receiver Formuler
- Receiver Fusion
- Receiver Geemarc
- Receiver Gira
- Receiver Goobay
- Receiver Graupner
- Receiver Ground Zero
- Receiver Hager
- Receiver Hama
- Receiver Harman Kardon
- Receiver Hartke
- Receiver Helix
- Receiver Hertz
- Receiver Hifonics
- Receiver Hirschmann
- Receiver Homecast
- Receiver HQ
- Receiver HQ Power
- Receiver HUMANTECHNIK
- Receiver Humax
- Receiver Icom
- Receiver Imperial
- Receiver Infinity
- Receiver Insignia
- Receiver Iriver
- Receiver Kathrein
- Receiver Kicker
- Receiver Klipsch
- Receiver Koda
- Receiver Kogan
- Receiver Konig
- Receiver Lanzar
- Receiver LD Systems
- Receiver Legamaster
- Receiver Line 6
- Receiver Logilink
- Receiver Logitech
- Receiver Luxman
- Receiver Mac Audio
- Receiver Mackie
- Receiver Magnat
- Receiver Manhattan
- Receiver Marantz
- Receiver Marmitek
- Receiver Marquant
- Receiver Marshall
- Receiver Maxview
- Receiver MB Quart
- Receiver Medeli
- Receiver Megasat
- Receiver Meliconi
- Receiver Mercury
- Receiver Meridian
- Receiver Metronic
- Receiver Monacor
- Receiver Monitor Audio
- Receiver Mtx Audio
- Receiver Mx Onda
- Receiver NAD
- Receiver Naim
- Receiver Nedis
- Receiver Peavey
- Receiver Phoenix Gold
- Receiver Pinnacle
- Receiver Plantronics
- Receiver Polk
- Receiver Power Dynamics
- Receiver Pyle
- Receiver Raymarine
- Receiver RCF
- Receiver Reely
- Receiver REL Acoustics
- Receiver Reloop
- Receiver Renegade
- Receiver Renkforce
- Receiver Revox
- Receiver Rockford Fosgate
- Receiver Roland
- Receiver Rotel
- Receiver Sagem
- Receiver Salora
- Receiver Salus
- Receiver Samson
- Receiver Sangean
- Receiver Saramonic
- Receiver Scansonic
- Receiver Selfsat
- Receiver Sencor
- Receiver Sennheiser
- Receiver Sharp
- Receiver Sherwood
- Receiver Silvercrest
- Receiver Simrad
- Receiver Skytec
- Receiver Skytronic
- Receiver Smart
- Receiver Smartwares
- Receiver Sogo
- Receiver Soundstream
- Receiver Stinger
- Receiver Strong
- Receiver Sunstech
- Receiver Synq
- Receiver Tangent
- Receiver Tascam
- Receiver Teac
- Receiver Technics
- Receiver Technisat
- Receiver Telefunken
- Receiver Telestar
- Receiver Terratec
- Receiver Teufel
- Receiver Thomson
- Receiver Thorens
- Receiver Toa
- Receiver Triax
- Receiver Trust
- Receiver TV STAR
- Receiver Universal Remote Control
- Receiver Velleman
- Receiver Velodyne
- Receiver Vivanco
- Receiver Vivotek
- Receiver Vonyx
- Receiver Wharfedale
- Receiver Winegard
- Receiver Xoro
- Receiver Xsarius
- Receiver Xtrend
- Receiver Yaesu
- Receiver Zalman
- Receiver Zehnder
- Receiver Zgemma
- Receiver Zoom
- Receiver Jabra
- Receiver Jamo
- Receiver JB Systems
- Receiver Jensen
- Receiver JL Audio
- Receiver Jung
- Receiver Octagon
- Receiver Omnitronic
- Receiver Optex
- Receiver Optoma
- Receiver Anthem
- Receiver Cambridge
- Receiver McIntosh
- Receiver Vincent
- Receiver Inateck
- Receiver Palsonic
- Receiver Vox
- Receiver Bang And Olufsen
- Receiver Bowers And Wilkins
- Receiver Caliber
- Receiver CSL
- Receiver Exibel
- Receiver GoGEN
- Receiver KrĆ¼ger And Matz
- Receiver Monoprice
- Receiver Naxa
- Receiver Sandberg
- Receiver Shure
- Receiver Steren
- Receiver Redline
- Receiver Hilti
- Receiver Clarion
- Receiver Conrad
- Receiver Bush
- Receiver EMOS
- Receiver TelevƩs
- Receiver MXL
- Receiver Cabasse
- Receiver Aplic
- Receiver Atlona
- Receiver Majestic
- Receiver Trevi
- Receiver Crunch
- Receiver Vivolink
- Receiver SIIG
- Receiver Avantree
- Receiver ClassƩ
- Receiver HEOS
- Receiver Scosche
- Receiver Canton
- Receiver Genie
- Receiver Tripp Lite
- Receiver James
- Receiver QTX
- Receiver Nexa
- Receiver Musical Fidelity
- Receiver Quad
- Receiver Valcom
- Receiver Integra
- Receiver Orava
- Receiver Canyon
- Receiver Cisco
- Receiver Block
- Receiver Pro-Ject
- Receiver Rega
- Receiver Whistler
- Receiver Delta Dore
- Receiver Vision
- Receiver Matrox
- Receiver Citronic
- Receiver Crown
- Receiver Dynacord
- Receiver Krell
- Receiver Mark Levinson
- Receiver Phonic
- Receiver Yorkville
- Receiver Gefen
- Receiver Audix
- Receiver Chamberlain
- Receiver Thomann
- Receiver Karma
- Receiver LEA
- Receiver LTC
- Receiver GlobalSat
- Receiver Lindy
- Receiver IFM
- Receiver DataVideo
- Receiver ART
- Receiver Summit Audio
- Receiver Musway
- Receiver Avalon
- Receiver Sonance
- Receiver Oculus VR
- Receiver Vaddio
- Receiver Bogen
- Receiver Galaxy Audio
- Receiver Dahua Technology
- Receiver Neumann
- Receiver Pyle Pro
- Receiver PreSonus
- Receiver Roksan
- Receiver Electro-Voice
- Receiver Rupert Neve Designs
- Receiver Valueline
- Receiver Chandler
- Receiver RDL
- Receiver Chord
- Receiver Fredenstein
- Receiver QSC
- Receiver Audac
- Receiver Marshall Electronics
- Receiver Golden Age Project
- Receiver BOYA
- Receiver Eventide
- Receiver Radial Engineering
- Receiver ATen
- Receiver Metra
- Receiver Russound
- Receiver Engel Axil
- Receiver Comica
- Receiver Audient
- Receiver Hegel
- Receiver PAC
- Receiver Mooer
- Receiver August
- Receiver DBX
- Receiver JETI
- Receiver Homematic IP
- Receiver Kopul
- Receiver Linn
- Receiver Martin Logan
- Receiver Extron
- Receiver Ibiza Sound
- Receiver Exposure
- Receiver Fostex
- Receiver Proel
- Receiver FBT
- Receiver MIPRO
- Receiver Solid State Logic
- Receiver Neets
- Receiver NAV-TV
- Receiver AMX
- Receiver HiFi ROSE
- Receiver OSD Audio
- Receiver Blackstar
- Receiver Crestron
- Receiver RME
- Receiver Black Lion Audio
- Receiver Adastra
- Receiver PSB
- Receiver Music Hall
- Receiver Aeon Labs
- Receiver Markbass
- Receiver StarTech.com
- Receiver Warm Audio
- Receiver AudioControl
- Receiver PureLink
- Receiver SPL
- Receiver Deaf Bonce
- Receiver Lindell Audio
- Receiver Smart-AVI
- Receiver PSSO
- Receiver Crest Audio
- Receiver Grace Design
- Receiver Primare
- Receiver Sonifex
- Receiver Xantech
- Receiver Kali Audio
- Receiver Audioengine
- Receiver Kramer
- Receiver IFi Audio
- Receiver Revel
- Receiver Wet Sounds
- Receiver Hughes & Kettner
- Receiver Manley
- Receiver MEE Audio
- Receiver KanexPro
- Receiver Intelix
- Receiver Ibanez
- Receiver Blustream
- Receiver SVS
- Receiver Ashly
- Receiver Madison
- Receiver Match
- Receiver Vocopro
- Receiver Laney
- Receiver Universal Audio
- Receiver EA
- Receiver DirecTV
- Receiver GOgroove
- Receiver Ocean Matrix
- Receiver Speco Technologies
- Receiver Kemo
- Receiver Morel
- Receiver SRS
- Receiver LYYT
- Receiver Antelope Audio
- Receiver CE Labs
- Receiver Panduit
- Receiver Pharos
- Receiver Accell
- Receiver Jolida
- Receiver Intertechno
- Receiver Inovonics
- Receiver Ecler
- Receiver Viscount
- Receiver Aquatic AV
- Receiver Parasound
- Receiver DB Technologies
- Receiver Roswell
- Receiver Epcom
- Receiver Kanto
- Receiver Sunfire
- Receiver Bugera
- Receiver InLine
- Receiver CYP
- Receiver Topp Pro
- Receiver Cyrus
- Receiver Palmer
- Receiver Astell&Kern
- Receiver TV One
- Receiver Dimavery
- Receiver AMS Neve
- Receiver Powersoft
- Receiver Cranborne Audio
- Receiver LinksPoint
- Receiver Lotronic
- Receiver Esoteric
- Receiver IMG Stage Line
- Receiver Wireless Solution
- Receiver Leviton
- Receiver Atlas Sound
- Receiver Aurel
- Receiver NUVO
- Receiver Phoenix Audio
- Receiver AVPro Edge
- Receiver Comtek
- Receiver Fishman
- Receiver RetroSound
- Receiver Pyramid
- Receiver Sound Ordnance
- Receiver FiveO
- Receiver Planet Audio
- Receiver SureCall
- Receiver Ram Audio
- Receiver AVMATRIX
- Receiver Trace Elliot
- Receiver JTS
- Receiver AER
- Receiver Dynavox
- Receiver Modelcraft
- Receiver Fontastic
- Receiver Klark Teknik
- Receiver Lectrosonics
- Receiver Simaudio
- Receiver TIC
- Receiver Niles
- Receiver Knoll
- Receiver Creek
- Receiver Mobile Crossing
- Receiver The T.amp
- Receiver Sound Devices
- Receiver FSR
- Receiver Edwards Signaling
- Receiver GigaBlue
- Receiver ANKARO
- Receiver Alfatron
- Receiver Key Digital
- Receiver CAD Audio
- Receiver Polsen
- Receiver Whirlwind
- Receiver Triangle
- Receiver Lab Gruppen
- Receiver Wavtech
- Receiver AmpliVox
- Receiver Audiofrog
- Receiver Memphis Audio
- Receiver CyberData Systems
- Receiver BZBGear
- Receiver Rolls
- Receiver WyreStorm
- Receiver Williams Sound
- Receiver Lyngdorf
- Receiver WesAudio
- Receiver AudioSource
- Receiver Stewart
- Receiver Leema
- Receiver Apantac
- Receiver MuxLab
- Receiver Axing
- Receiver Camille Bauer
- Receiver Seco-Larm
- Receiver Mosconi
- Receiver Crest
- Receiver TechLogix Networx
- Receiver Audibax
- Receiver BC Acoustique
- Receiver Gold Note
- Receiver IOTAVX
- Receiver Fosi Audio
- Receiver A-NeuVideo
- Receiver Shinybow
- Receiver S.M.S.L
- Receiver Rexing
- Receiver NuPrime
- Receiver Shanling
- Receiver Inter-M
- Receiver Sinus Live
- Receiver Soundtrack
- Receiver Canor
- Receiver C2G
- Receiver Unison Research
- Receiver Cerwin-Vega
- Receiver BMB
- Receiver Advance
- Receiver Cloud
- Receiver Audiotec Fischer
- Receiver Datapath
- Receiver PTN-electronics
- Receiver Clare Controls
- Receiver Loxjie
- Receiver Cayin
- Receiver Technical Pro
- Receiver VMV
- Receiver Black Hydra
- Receiver Bellari
- Receiver Comprehensive
- Receiver Benchmark
- Receiver FoneStar
- Receiver Glemm
Nieuwste handleidingen voor Receiver
14 November 2024
14 November 2024
14 November 2024
14 November 2024
13 November 2024
13 November 2024
13 November 2024
13 November 2024
13 November 2024
13 November 2024