Ashdown Engineering ABM EVO IV Handleiding
Ashdown Engineering
Receiver
ABM EVO IV
Lees hieronder de 📖 handleiding in het Nederlandse voor Ashdown Engineering ABM EVO IV (7 pagina's) in de categorie Receiver. Deze handleiding was nuttig voor 48 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/7
Thank you for purchasing your Ashdown Engineering Ampliîš¿er and welcome to the family!
We really think you’ve made the right choice and know that this amplier will give you years
of great tone and service. It is a machine though and needs to be looked after, please read
through this user manual which will help you get the most out of your new Amp and keep it
running as long as some of our happiest and very famous customers.
Please register this product online so we can make sure we give you years of customer
support through our friendly in-house service centre.
Here is where you need to visit to register your product:
http://www.ashdownmusic.com/register
THANK YOU
REGISTER ONLINE
VALVE
DRIV E PL US
DYNAMIC
CO MP R ES S IO N
SUB
HARM O N ICS
9 BA ND
EQ UAL IS AT IO N
BASS MIDDLE T REBL EINPUT
INS T RUMEN T
INPUT L EVEL
PU SH F LAT /S HA PE
PAS SI VE/ ACT I VE OU T PU T M UT E OUT PUT S
PRE /P OS T E .Q
MU T E
T UNE R LINE O UT
OUT PUTD.I.
the two sets of sliders interposed between these
controls set in their centre positions and using
only the BASS, MIDDLE and TREBLE controls
to alter the overall tone.
Secondly, if more control is required then the
sliders can also be used to tailor the E.Q. in the
regions between the main tone controls. This
provides a very versatile Equalisation section,
it is simple to understand and operate, yet
provides a wide degree of variation. It retains
the simplicity of a three- control tone section but
provides the exibility of a graphic equaliser.
DYNAMIC COMPRESSION – Adding a small
amount of compression gives a fat bottom end to
the sound and allows a greater volume of ampli-
îš¿cation to be used without the playing peaks dis-
torting the ampliîš¿ers output stage. You will also
îš¿nd that this will add deîš¿nition to your playing
bringing out notes within a run more clearly as it
evens out the dynamics of your playing.
A large amount of compression can be used as
an effect but it will tend to reduce the dynamics
in your playing to such an extent that the volume
of the note will be the same no matter how hard
or soft you hit the string. Compression also adds
sustain to notes making them longer before they
die away.
The Compression Level control adjusts the de-
gree of compression applied to the bass signal.
For this to function correctly the Input Level must
be correctly set as described in the INPUT
CONTROL section (left).
When the Input Level is correctly set there will
be hardly any difference in volume between
Compression IN and Compression OUT. This
is because the ampliîš¿er automatically com-
pensates for the reduction in level that would
be apparent when Compression is added by
increasing the overall gain to restore the vol-
ume to its pre compression level, because of
this you may notice an increase in background
noise with high compression settings.
COMPRESSION IN/OUT – This push button
switches the Compression IN or OUT. This
function may also be controlled from the Ash-
down 4 way footswitch. For the footswitch to
operate this button must be in its OUT position.
SUB HARMONICS - This section produces
Sub Harmonics an octave below the notes
being played. The level of these Sub Harmon-
ics relative to the straight bass sound can be
adjusted using the LEVEL control.
This is very effective in thickening the sound
and you will îš¿nd in use that only a small de-
gree of this lower octave is required to really îš¿ll
out the sound and provide a character that is
not possible by any other means.
The degree of Sub Harmonics is also depend-
ant on the setting of the BASS control.
ABM-EVO-IV - Front Panel Facilities
Product specificaties
| Merk: | Ashdown Engineering |
| Categorie: | Receiver |
| Model: | ABM EVO IV |
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