Noise Engineering Viol Ruina Handleiding
Noise Engineering
Synthesizer
Viol Ruina
Lees hieronder de š handleiding in het Nederlandse voor Noise Engineering Viol Ruina (3 pagina's) in de categorie Synthesizer. Deze handleiding was nuttig voor 3 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/3
Overview
Viol Ruina is an all-analog distortion and lowpass ļ¬lter with an internal envelope follower and self-
modulating cutoļ¬. The four-pole design is reminiscent of the classic ļ¬lters we all know but with a
completely new and slightly ridiculous twist. The independently addressable distortion circuit takes
VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an
easy way to create dynamic patches with the ļ¬ick of a switch, and feedback FM takes VR to a
whole new realm of ļ¬lthiness. Run a sound through VR, youāll get something cool out of it.
1
Noise Engineering
Viol Ruina
Resonant lowpass ļ¬lter and distortion with
internal modulation and envelope following
Type
Distortion/ļ¬lter
Size
4HP Eurorack
Depth
.8 Inches
Power
2x5 Eurorack
+12 mA
40 mA
-12 mA
35 mA
Etymology
Ruina -- from Latin: āDestructionā
āViolent purple ruinsā
Viol -- from Latin violo, violentis: āviolate, dishonor, violentā Also viola, āpurpleā
It sounded darker and meaner and awesomer than we could have hoped for. Viol Ruina. Weāre
sorry. Youāre welcome.
When we hired Markus, we dusted it oļ¬ and handed it to him. He came back to work next all
starry eyed and we were convinced that now was the time to do something...but what exactly we
werenāt sure. We told Markus to go home and decide which of the circuits he liked and how and
why. When we sat down to discuss, we designed a load of distortion modules, including VR. It
took a little more work and redesigning to get it to its current state -- the envelope extraction was
a great add, and we ļ¬nally had a *gasp* ļ¬lter!
Viol Ruina came into existence as part of the Distortion of the Month series. It all began with a
single epic distortion module that was really more of an experiment many years before. That
module had something like six distortions on it and was really an experiment meant to get a feel
for each individual one. Like so many of our early ideas, we knew we had something, but we just
didnāt have time to get to it. It sat.
Design Notes
Power
A final note. Some modules have other headers -- they may
have a different number of pins or may say NOT POWER. In
general, unless a manual tells you otherwise, DO NOT
CONNECT THOSE TO POWER.
To power your Noise Engineering module, turn oļ¬ your case.
Plug one end of your ribbon cable into your power board so
that the red stripe on the ribbon cable is aligned to the side
that says -12v and each pin on the power header is plugged
into the connector on the ribbon. Make sure no pins are
overhanging the connector.
Line up the red stripe on the ribbon cable so that it matches
the white stripe and/or -12v indication on the board and plug
in the connector.
You should be good to go if you followed these instructions.
Now go make some noise!
Screw your module into your case BEFORE powering on the
module. You risk bumping the moduleās PCB against
something metallic and damaging it if itās not properly
secured when powered on.
Warranty
This warranty does not cover damage due to improper handling, storage, use, or abuse,
modiļ¬cations, or improper power or other voltage application.
Noise Engineering backs all our products with a product warranty: we guarantee our products to
be free from manufacturing defects (materials or workmanship) for one year from the date of the
original retail purchase (receipt or invoice required). The cost of shipping to Noise Engineering is
paid by the user. Modules requiring warranty repair will either be repaired or replaced at Noise
Engineering's discretion. If you believe you have a product that has a defect that is out of
warranty, please contact us.
2
Interface
Frq: Filter cutoļ¬ frequency. Knob sums with the Frq CV input.
Q: Filter resonance.
Mod: The audio is routed back to the ļ¬lter cutoļ¬ frequency for
input-dependent FM. Down position is oļ¬, middle is mild, high is
extreme.
Mangle: Distortion amount. Enough said.
Frq CV: CV input for ļ¬lter cutoļ¬ frequency. Responds to 0-5v.
Laser: Engages the internal envelope follower at diļ¬erent
amounts, routed to the cutoļ¬ frequency. Down position is oļ¬,
middle is mild, high is extreme.
Mangle Out: Audio output from the distortion section.
Filter In: Audio input to the ļ¬lter section.
Mangle In: Audio input to the distortion section.
Filter Out: Audio output from the ļ¬lter. Normaled to the Mangle
input; normal is broken when Mangle In is patched.
3
Viol
Ruina
Q
Frq
In
Out
Mangle
Frq
Laser
Filter
Filter
In
Out
Mangle
Mod
Patch Tutorial
Patch a signal with lots of dynamics and harmonic content like a
drum loop into the Filter In jack. Engage the Laser section and
hear how the envelope follower shapes the ļ¬lter to the sound.
Patch 3:
Patch a simple waveform like a saw wave to the ļ¬lter In jack.
Patch the mangle Out jack to your mixer. Play with the Frq, Q,
Mod, and Mangle parameters to hear what it can do.
Patch 1:
Patch 2:
Patch a sound to drive In. Patch Drive Out to Filter In, and Filter
Out to your mixer. Now you can distort your sound before the
ļ¬lter! Cool!
Product specificaties
| Merk: | Noise Engineering |
| Categorie: | Synthesizer |
| Model: | Viol Ruina |
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