Noise Engineering Kith Ruina Handleiding
Noise Engineering
Synthesizer
Kith Ruina
Lees hieronder de đ handleiding in het Nederlandse voor Noise Engineering Kith Ruina (3 pagina's) in de categorie Synthesizer. Deze handleiding was nuttig voor 3 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/3
Type
Tonestack
Size
4HP Eurorack
Depth
.8 Inches
Power
2x5 Eurorack
+12 mA
20 mA
-12 mA
20 mA
Overview
Kith Ruinaâs inspiration comes from the world of guitar amps. A
drive into an EQ is an extremely common conďŹguration for shaping
guitar tone, and we ďŹnd that it works extremely well for synths as
well. A grungy
Think that amp head you always wanted, but 4 HP.
drive into a pristine EQ gives excellent tone control, and with
separate ins and outs for the two sections KR can be conďŹgured to
ďŹt into any patch you throw at it.
1
Noise Engineering
Kith Ruina
All-analog tonestack: one-knob saturation/drive
circuit into a simple and clean two-band EQ.
Etymology
âDestroyer of guitarsâ
Kith -- from Greek kithara: âGuitarâ
Ruina -- from Latin: âDestructionâ
Design Notes
This was around the time of NAMM 2019, and we ran into friend of NE Joey Blush (Blush
Response) and talked about the distortions he liked. He mentioned a load of pedals that
inspired him and we were really excited to look more into those. In the end, we made the drive
circuit a bit softer than a lot of the distortions we looked at -- itâll still saturate, of course, but the
clipping is softer. The EQ stage is pretty. KR was a labor of love -- we believed in this one and
we knew with some coaxing, we could get it right where we wanted it. We hope you love it.
We initially envisioned this module as a slightly different version, Kithara Kharakt, a simple tone
stack. We got it on paper, fell in love with the idea, and prototyped it, only to have the whole
thing fall completely flat. Literally no one was impressed. We werenât ready to give up on the
module, but time marched on and we got busy with other projects. When the Distortion of the
Month idea came into focus, we dusted off the Kithara, knowing there was something there that
we could salvage. We got back to work.
Interface
High: High shelf control. 12 oâclock is neutral, with boost to the right,
and cut to the left.
Drive In: Input for KRâs drive section.
Tonestack: KR has controls for each EQ section. Detailed frequency
response information can be found on the next page.
Tone Out: Output for KRâs EQ section.
Drive: Amount of overdrive applied to the input signal. At minimum
slight saturation occurs, and at max youâre driving your input into
oblivion.
Low: Low shelf control. 12 oâclock is neutral, with boost to the right,
and cut to the left.
Mid: Changes the frequencies of the Low/High shelf parameters.
Drive Out: Output for KRâs drive section. This jack is normalled to the
Tone In. Normalization can be broken by patching to this jack or the
Tone In.
Tone In: Input for KRâs EQ section. This jack is normalled to the Drive
Out. Normalization can be broken by patching to this jack or the Drive
Out.
2
Patch Tutorial
Patch 2: KR has two sets of ins and outs, meaning you can use the
sections separately, or change their order. Patch a sound to Tone In,
and Drive Out to your mixer. Patch Tone Out to Drive In. The EQ is
now pre-distortion, which gives different tonal results. Neat!
Patch 3: A simple EQ can be very useful in a patch, especially when
there are multiple layers. Patch a sound to Tone In, and Tone Out to
your mixer. This bypasses the Drive section (which can be used
elsewhere in the patch) and gives you a very clean EQ to shape your
sound and better fit it into your mix.
Patch 1: Take a signal (like a kick drum from your Basimilus Iteritas
Alter) and patch it to the Drive In. Patch the Tone Out to your mixer.
This runs the input signal through both Drive and EQ sections of KR.
Play with the different parameters to shape your input signal.
Special Thanks
Joey Blush
3
EQ Frequency Response
Product specificaties
| Merk: | Noise Engineering |
| Categorie: | Synthesizer |
| Model: | Kith Ruina |
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