Fender KXR 100 Handleiding
Lees hieronder de š handleiding in het Nederlandse voor Fender KXR 100 (6 pagina's) in de categorie Keyboard. Deze handleiding was nuttig voor 35 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
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T H E S O U N T H A T C R E A T E S L E G E N D SD
P/N 047761
Owner,s Manual
KXR
KEYBOARD
EXTENDED
RANGE
One hundred
TYPE: PR 262
KXR 100 Ownerās Manual
Congratulations on your purchase of the Fender KXR 100
keyboard ampliļ¬er. The is the most recentFender KXR 100
eļ¬ort in state of the art keyboard ampliļ¬er technology, and is
a member of the series. The design execution ofFENDER KXR
the KXR 100 was carried out with the aid of some of todayās
best musicians, and represents years of thought and
consideration in determining features and speciļ¬cations.
The KXR 100 is actually much more than a keyboard amp.
With its heavy-duty
Fender Special Design
speaker and dual
piezo-electric horn, it could actually be classiļ¬ed as a
self-contained portable PA. system, suitable for almost any
musical instrument requiring full-range reinforcement, for
example electronic keyboards, acoustic/electric guitar,
electric violin, and voice. Compact packaging and
medium-level output power make the the perfectKXR 100
full-range instrument ampliļ¬er for rehearsal, studio, or small
club performances.
The preamp section of the features threeKXR 100
independent channels, a 4 band master EQ, and master
reverb and volume controls. Each channel features a single
1/4 inch input jack and volume control. In addition to the
1/4 inch input jack, channel #1 features an XLR input jack for
the connection of a low impedance microphone. The
EFFECTS SEND and EFFECTS RETURN jacks can be used with
a wide variety of eļ¬ects devices, or as patch points for
slaving multiple amps together. The EFFECTS SEND can also
be used to connect your directly to a recordingKXR 100
console or sound reinforcement mixer.
The HEADPHONE jack automatically mutes the speaker while
driving stereo or mono headphones for private practice
sessions. The HEADPHONE jack can also be used as another
line level output. RECORD OUT RCA jacks are provided to
deliver a line level preamp signal for tape recording
convenience.
The rugged 80 watt power ampliļ¬er was designed to give
years of reliable service under all conditions and is equipped
with a unique implementation of our exclusive
DELTACOMPā¢ adaptive compression system. When
DELTACOMPā¢ engages, it is practically impossible to cause
the power ampliļ¬er to clip (distort). With DELTACOMPā¢,
apparent compressor release time is kept short, yet waveform
distortion is kept to a minimum at low frequencies.
The selection of a Fender ampliļ¬er will reward you with years
of quality music in a wide range of sonic possibilities. This
manual is designed to familiarize you with the features and
functions of your ampliļ¬er. Read this manualKXR 100
carefully so you will beneļ¬t from these features as soon as
you start using your new Fender ampliļ¬er.
The built-in quality of a Fender ampliļ¬er is the result of over
four decades of dedication in the combined skills of the
Fender design team. Thatās why we proudly say,
FENDER..
The
Sound
That Creates
Legends.
recording or sound reinforcement mixer. In addition, this
output can be used to drive another KXR 100 as a slave amp.
This is done by connecting a standard guitar cord from the
Eļ¬ects Send jack of the master amp to the Effects Return jack
of the slave amp.
H. Eļ¬ects Return jack- This balanced jack inputs signal to the
Master Volume control, which drives the power amp section.
It automatically disconnects the preamp when used. This jack
is useful with the eļ¬ects loop feature, or when using the KXR
100 as a slave amp.
1. Master Volume control- This control adjusts the level of the
signal coming out of the preampliļ¬er section. This control is
used in conjunction with the Channel Volume controls to set
the overall sound level of the ampliļ¬er. In order to maximize
headroom and minimize noise, instruments with low-level
output will require a high Channel Volume setting and a low
Master Volume setting, while other instruments may require a
lower Channel Volume and higher Master Volume setting. It
is recommended that the Master Volume control be set as
high as possible for maximum DELTACOMPā compressor
range.
J. Record Out jack- Two RCA style jacks provide an
unbalanced, mono signal for recording. This signal is derived
from the preamp and is at line level, similar to that of the
Eļ¬ects Send jack. The level is not affected by the Master
Volume Control.
K. Headphone jack- This jack allows the use of stereo
headphones for private listening. When this jack is used, the
internal speaker is disconnected. WARNING: BE CAREFUL
WHEN USING HEADPHONES, AS EXCESSIVE VOLUME
WILL DAMAGE YOUR HEARING.
L. Power Indicator- When this LED is illuminated, the KXR
100 is receiving power.
M. Power Switch- This switch turns the KXR 100 or Off.
When the switch is oļ¬, the ampliļ¬er is completely shut down.
A. Channel 1 Input (XLR)- A high sensitivity, XLR style
connector designed for use with microphones. This balanced
input can handle as much as 1V R.M.S.
B. Channel 1 Input (Phone)- Plug-in connection for
instruments. This balanced input can handle as much as 8V
R.M.S.
C. Channel 1 Volume- This control adjusts the preampliļ¬er
gain of channel 1. It works in conjunction with the Master
Volume control (item 1) to set the overall loudness of the
ampliļ¬er for channel 1 only. Being a true āgainā control, it
allows for the use of a variety of microphones, keyboards or
other instruments with diļ¬ering output signal levels. Low-
level instruments generally require a higher Channel Volume
setting while āhotterā keyboards will require a lower setting.
D. Channels 2 and 3 - These channels are provided for two
additional instruments. The inputs and volume controls
operate in the same manner as items B and C in Channel 1.
These channels are muted when nothing is plugged into their
inputs, and thus will contribute no additional residual noise
to the ampliļ¬er output when left unused. All three channels
may be used simultaneously, however Channel 1 should be
used ļ¬rst if only one input is needed.
E. Equalizer- The equalizer allows precise adjustments of the
tonal characteristics of the ampliļ¬er. Each control provides a
12 dB boost or cut to bands of frequencies centered about
100, 338,1588, and 4000 Hz.
F. Reverb control- This control adjusts the amount of reverb to
be mixed with the dry signal. The input to the reverb circuitry
is the sum of channels 1, 2 and 3.
G. Eļ¬ects Send jack- This jack provides an unbalanced
output signal from the preamp. This output can be used with
the Eļ¬ects Return jack (item H) as a patch point for mono
eļ¬ects devices. The Effects Send is connected to the input of
the eļ¬ect (digital delay or other effects device) and the output
of the eļ¬ect is connected to the Effects Return jack (item H).
The Eļ¬ects Send can also be used to provide a signal to a
KXR 100 Front Panel Functions
Product specificaties
| Merk: | Fender |
| Categorie: | Keyboard |
| Model: | KXR 100 |
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