4ms Tapographic Delay Handleiding

4ms Niet gecategoriseerd Tapographic Delay

Lees hieronder de 📖 handleiding in het Nederlandse voor 4ms Tapographic Delay (20 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 14 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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Tapographic Delay

 

from 4ms Company and Matthias Puech

         

User Manual 1.0 – November 3, 2017           

for firmware v1.0   

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Table of Contents

   

Introduction 3

Background 4

      What’s a multi-tap delay? 4

    What’s a tapography? 6

Installation 6

          Getting started: Your first TD patch 7

Create a new Tapography 7     

Editing your Tapography 8   

Saving your Work 8   

Explore the Knobs 8   

Explore the Switches 8   

Explore the Buttons 9   

Sequencer Mode 9 

Controls 9

Signal path 12

  

Editing tapographies 13

  

Entering Taps 13 

ADD/OFF/INS Switch 13 

RES/AMP/LPF Switch 14 

Upper Button Row 14   

Settings Menu 14

  

Navigating tapographies 16

  

Loading a tapography 16   

Saving a tapography 16   

  Sequencer mode 17

Advanced features 17

  

Velocity normalization jumper 17   

  Firmware update 18

Calibration 19

  Factory tapographies 19

Banks A - D 19     

          Reset a bank to factory default 21

Acknowledgments 21

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Introduction

The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique                            

interface designed for live performance. It excels at transforming the simplest audio (a                       

drone, a percussive sound) into complex rhythmic structures, meshes of organic textures,                     

lush harmonic mille-feuilles, liquid and resonant effects… plus everything we have not                     

explored yet! 

Have you ever got tired of the monotonous repetitions that your standard delay                       

pedal/module produced? Have you ever wished for a more complex rhythmic structure than                       

just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is                             

an advanced effect that lets you handle repetition in ax completely novel way. It is in a way                                 

to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control,                         

tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the                               

repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and                       

sequence your own arrangements of delays. In a sense, the TD is the converse of the                             

classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70’s: you                     

don't play the guitar, you play the tape loop!               

The Tapographic Delay is an expressive experimental instrument meant to be played in                       

real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push                     

it to its limits!     

●Velocity-sensitive force sensor to tap the delay configurations (                tapographies

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)

●Up to 32 taps, each with its own delay time, amplitude/filter and panning                       

●Low-pass filter or resonant (pingable) band-pass filter on each tap                 

●Morphing between delay configurations, with adjustable morph time             

●Two different feedback paths: a Repeat toggle and a Feedback knob                   

●Save and recall up to 24 delay configurations (4 banks of 6 slots each)                         

●Tapography sequencer with forward, random walk or random directions               

●Synchronization to an external clock, with clock divider/multiplier             

●Gate output that plays the current rhythm of delays               

●Maximum delay time of 174 seconds (almost 3 minutes)               

●16 bits/48kHz with 32 bits floating-point internal processing, 1.3ms software latency                   

●Mono-in, stereo-out operation   

●18HP Eurorack module   

●Current consumption: 125mA of +12V; 32mA of -12V. (10-to-16pin cable included)                   

●0.98" (25mm) maximum depth with power cable           

●Dry frequency response: 20Hz - 5kHz: +/-0.1dB. @10kHz: -2.3dB. @20kHz: -7.8dB                   

●Audio inputs max 22Vpp. Audio outputs soft-limit at max 17Vpp                 

●Trigger/clock inputs: +2V minimum, +12V maximum         

●Gate (trigger) output: +8V, 4ms pulse width           

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Product specificaties

Merk:	4ms
Categorie:	Niet gecategoriseerd
Model:	Tapographic Delay

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