SE Electronics X1R Handleiding

SE Electronics Microfoon X1R

Lees hieronder de 📖 handleiding in het Nederlandse voor SE Electronics X1R (5 pagina's) in de categorie Microfoon. Deze handleiding was nuttig voor 38 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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M I C R O P H O N E M A N U A L

Microp hon e Man ual

sE Electronics Microphone Manual

Thank you for purchasing an sE Electronics microphone, which was was hand-built in one of the most

advanced microphone manufacturing facilities in China. Designed by a team of extremely experienced

engineers and veried by extensive listening tests, each model (with a few application-specic

exceptions) utilizes gold-sputtered, ultra-light mylar diaphragms in an advanced capsule design. Your

microphone was constructed using the nest quality electronic components and extensively tested to

provide you with years of trouble-free operation.

Specications

Specications for all of our microphones can be found on our website: http://www.seelectronics.com

Pickup Patterns

There are two basic microphone directional patterns, omnidirectional, which picks up sound equally from

all directions, and gure-of-eight, which picks up from both the front and rear of the microphone but not

from the sides. Combining these two basic patterns creates a cardioid or directional response, which

simply means the microphone is most sensitive in one particular direction. By varying the way in which

the omnidirectional and gure-of-eight patterns are combined, varying widths of cardioid pattern can be

created.

Cardioid

Cardioid pattern microphones are popular for general-purpose recording as they can be directed

at the wanted sound source while offering a measure of rejection to sounds approaching the

microphone from the rear, and to a lesser extent, the sides.

Where several musicians are playing together, this reduces the amount of crosstalk between the

microphones. Cardioid pattern microphones also pick up less of the ‘room sound’, which results

in a clearer, less ‘coloured’ recording. Note that cardioid microphones belong to the category of

‘pressure gradient’ microphone as their output signal depends on the differences in air pressure

between the front and rear of the capsule.

All pressure gradient microphones exhibit some degree of proximity effect, which simply means

that there is a signicant rise in their bass response if they are used very close to the sound

source. This can be countered by using the low-cut switch on the microphone or microphone

preamplier.

Variations on the cardioid theme range from wide cardioid to hypercardioid.

Hypercardioid has a narrower pickup pattern than the normal cardioid response but is more

sensitive to sounds coming directly from the rear.

Microp hon e Man ual

Omnidirectional

Omnidirectional mics are pressure-operated devices, which means they respond directly to

changes in air pressure. They are equally sensitive in all directions and do not exhibit the

proximity bass boost effect inherent in pressure-gradient microphones. Omnidirectional

microphones sound very “natural” and are used where there is a need to capture the sound of a

room’s acoustics or where there are several musicians or singers performing together. Spaced

omni microphones are often used for the stereo recording of choirs and ensembles.

Figure-of-Eight

Also a pressure gradient (directional) microphone, the gure-of-eight pattern is produced by a

diaphragm open to the air on both sides and gets its name because its polar pattern looks like

two identically sized circles in contact with each other. Sound arriving from the side reaches

both sides of the diaphragm at the same time, which results in the air pressure on both sides

of the diaphragm being equal, so there’s no movement of the diaphragm and consequently no

electrical output. Conversely, on-axis sounds produce the maximum pressure differential and

hence the maximum output. Figure-of-eight microphones are used in specialist stereo recording

applications and also where it is useful to have a high degree of rejection from 90 degree off-axis

sound.

Care and Maintenance

Though capacitor microphones are now far more rugged than in the era of the so-called ‘classic’ models,

care must still be taken with all capacitor models to avoid damp conditions, humidity or excessive

dust and cigarette smoke. Microphones brought into a warm studio from a cold vehicle, for example,

may suffer condensation on the diaphragm and circuitry, which will compromise the performance of

the microphone until it has completely dried out. It is also important not to subject the microphone to

excessive shocks, such as dropping it onto a hard surface.

Microphones may cleaned using a damp cloth but solvents or thinners should not be used. It is also

important not to use contact cleaners or other aerosols close to the capsule as this may impair

operation.

Mic cables and connectors should be checked regularly for damage. If the cable connecting a tube

microphone to its power supply is damaged, contact your local service agency for a replacement and

under no circumstances attempt to use a cable of a different type as this could damage the microphone

circuitry and/or power supply, and also risk electric shock.

Never run a tube microphone power supply with the ground disconnected as this presents the risk of

electric shock. Do not open the microphone case or the power supply case when the power supply is

connected to the mains supply as there are potentially lethal voltages inside.

If a capacitor microphone produces intermittent noise or spluttering sounds, it is probably suffering

from condensation and should be dried out in a warm place before further use. Do not attempt to

service a microphone yourself as this will void the warranty and may cause serious damage. These

considerations apply to all capacitor microphones.

sE Electronics Microphone Manual

Product specificaties

Merk:	SE Electronics
Categorie:	Microfoon
Model:	X1R

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