Focusrite Red 6 Handleiding

Focusrite Niet gecategoriseerd Red 6

Lees hieronder de đź“– handleiding in het Nederlandse voor Focusrite Red 6 (20 pagina's) in de categorie Niet gecategoriseerd. Deze handleiding was nuttig voor 220 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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products
The industry standard for signal processing
Mention the name “Focusrite” to anyone in the music recording
industry and you are likely to observe immediate recognition and
appreciation of the high sonic values that recording professionals
attribute to our products. After all, they have become permanent
fixtures in most of the top recording studios the world over, as well
as finding pride of place in the personal studios of many leading
engineers and producers.
The last word in quality from the first name in audio
The Focusrite brand was established in
1985 and quickly became recognised as
the source of the best outboard
equalisers, compressors and microphone
preamplifiers money could buy.Focusrite
set the trend for the use of these
outboard devices in the world’s finest
studios with the realisation that even the
most technically sophisticated recording
consoles lacked the sonic qualities of
boutique outboard processors. The
design heritage was built around the ISA
110, a microphone preamplifier and
equaliser module designed initially for the
custom console at AIR Studios, London.
This classic transformer-based design has
been the cornerstone of all the classic
Focusrite products.
The extended bandwidth and low
distortion characteristics of the ISA and
Red range created the ultimate
Microphone interface and helped to bring
out the best in both the microphone and
the performer. The circuit implementation
harked back to the Hi/Lo controls on the
simple EQ sections of early solid state
consoles, and no other EQ represented
the classic EQ sound quite like this
switched capacitor circuit. The signature
of this EQ is the classic open sounding
HF boost (bringing e.g. reverb tails to life),
and surgical yet flexible parametric high
mid and low mid, as well as thick
powerful bass control from the LF section.
The ISA110 was offered in racks of up
to eight modules and was the foundation
product for the new brand. More recently,
the ISA 110 was re-released as a limited
edition classic, and serial 001 was
presented to Sir George Martin in
recognition of our unique association with
AIR studios. The ISA 110 was incorporated
into the Focusrite Studio Console launched
in 1990 to critical acclaim.
In 1993 the ISA 215 incorporating two
ISA 110’s in a 19” rack-mount package
was introduced, and rapidly became the
industry standard dual EQ. To partner the
original ISA 110 in the 1980’s, the ISA
130 compressor was designed, utilising a
proprietary VCA designed by Trevor
Stride (Trevor is still designing for
Focusrite and is our technical “guru”).
The design provided the signature Soft
Knee compression for which Focusrite
has become known, adding punch and
power without distortion or colouration.
The last word in quality from the first name in audio
Mention the name “Focusrite” to anyone in the music recording
industry and you are likely to observe immediate recognition and
appreciation of the high sonic values that recording professionals
attribute to our products. After all, they have become permanent
fixtures in most of the top recording studios the world over, as well
as finding pride of place in the personal studios of many leading
engineers and producers.
George Martin with the ISA110 re-issue.
With the current ISA products, this mic pre and EQ circuit
remains a timeless classic amongst the world’s top
producers and engineers.
The legendary Forte recording console,
still regarded by many as the most
sonically impressive analogue console
ever created.
With this proprietary design, frequency
response remains natural and controlled,
even with large amounts of gain reduction
applied. From the creation of these
fundamental building blocks, and with new
innovations from Trevor Stride and
Focusrite’s Director of Product Strategy,
Robert Jenkins, Focusrite have gone on to
create a whole host of analogue signal
processing outboard to fulfil the
demands of today’s professional audio
recording engineers.
We hope you find the information
contained in this brochure useful, but
the best way to really learn about our
products is to audition them for yourself.
Please contact your local Focusrite
dealer for further information, and a
hands-on demonstration.
Contents
Phil Dudderidge, Chairman
Focusrite Audio Engineering
ISA 430 MK II
Producer Pack
The pinnacle of Focusrite’s Channel strip technology
page 4
ISA 430 MK II Applications
Diagrams explaining the unmatched flexibility of the
ISA 430 MK II Producer Pack
page 6
A-D conversion
Award-winning 192 kHz Analogue to Digital
conversion from Focusrite
page 7
ISA 428 Pre Pack
A unique blend of four classic vintage analogue mic
pre’s with state-of-the-art 192kHz digital technology
page 8
ISA 220 Session Pack
A channel strip designed to provide the engineer
with all the classic Focusrite modules required to
record a session with uncompromised quality
page 10
Red 1 Quad Mic Pre
Four channels of Focusrite’s legendary mic pre amps
page 12
Red 3 Dual Compressor/ Limiter
The first choice of the world’s leading producers
and engineers
page 16
Red 2 Dual Equaliser
Powerful and responsive equaliser with Focusrite’s
much sought-after warmth and smoothness
page 14
Red 7 Mic Pre & Dynamics
Powerful and versatile tracking processor including a
mic pre, compressor, de-esser and exciter
page 18
The Liquid Channel
Every mic-pre and compressor in history, nailed
page 17

Product specificaties

Merk: Focusrite
Categorie: Niet gecategoriseerd
Model: Red 6

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