Avantone Pro Active Mixcubes Handleiding

Avantone Pro Speaker Active Mixcubes

Lees hieronder de 📖 handleiding in het Nederlandse voor Avantone Pro Active Mixcubes (8 pagina's) in de categorie Speaker. Deze handleiding was nuttig voor 64 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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ACTIVE
Powered Mini-Reference Monitors for the NEW MILLENNIUM
APPLICATION
Active recording / mixdown monitors
ENGINEERING OBJECTIVES
The AVANTONE MixCubesActive
are designed to be high resolution, full- powered mini-range
reference monitors for xed or remote locations.
The secondary engineering facet was to create a timeless design that compliments a single full
range transducer.
PERFORMANCE OBJECTIVE
Studios primarily use 2-way & 3-way large monitors designed to represent a wide range reference
viewpoint at higher listening levels.
However …… in the newly developing age of High Definition Audio, there is still a need to hear
what your mix will sound like when played back over small “bass challenged” systems such as -
televisions, clock radios, computers, car stereos, iPod docking stations, etc.
It is important to make mixing judgments based partially on listening to reference monitors that will
not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is
always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range
monitor without a crossover is truly revealing.
More than twelve months of R&D, comparative listening & tweaking went into the voicing of the
AVANTONE MixCubes.
The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes
engineers were so fond of in the 1980’s 990’s.-1
Listening tests reveal that the MixCubes have a smoother midrange, more accurate, transparent
top end response with extended bass while maintaining the basic characteristics of those original
little cubes.
Cabinet Design
Constructed of non-layered, high rigidity MDF board due to its natural low-resonance
characteristics. All cabinet radiused. edges are
Elegant Polyurethane high gloss “Butter Cream” finish-
7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant
acoustic isolator.
For creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount
into the base.
Driver Design
The paper cone, (chosen for its musical character) was custom designed utilizing the latest in FEA
modeling and “old school” speaker design artistry. The finest New Zealand pulp material is blended -
with mica bers for rigidity and longevity.
The cloth surround material is made in Japan and has unique damping characteristics, enabling a
predictable compliance over the lifespan of the driver.
The motor structure is made of certied 1008 by Sumitomo. The magnets are Y- low carbon steel
40 GRADE (MIL-SPEC) yielding a 43oz. High-power/low-distortion motor structure.
Our proprietary 5.25” Die-cast aluminum frame supports the driver/cone minimizing mechanical
transfers.
The outer mounting face of the aluminum frame is polished for an elegant appearance.
Amplifier Design
We designed t amp module from the ground up to be a true professional-grade amplier. It he
incorporates “overkill” concepts in component selection as well as safety The result is a “no. -
compromise” amp with robust headroom characteristics that will rival the performance of much
higher priced studio rack mount amps.
REAR PANEL CONTROLS / CONNECTIONS
BALANCED INPUT: This “combo XLR” input accepts a BALANCED male XLR plug as well
as a 3-conductor BALANCED TRS ¼” a 2 conductor UNBALANCED or TS ¼” male plug. For
unbalanced operation with a TS connector the signal is automatically gr minus ounded.
This variable control adjusts the sensitivity of the signal that appears at the SYSTEM GAIN:
input. Rotating the control clockwise increases the sensitivity while a counter-clockwise
rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting +6 of
allows a full, unimpeded signal to be sent to the amplier. The detented gain positions allow
for repeatable settings between speakers for proper matching. Please Note… when the signal
appearing at the input is too hot, the amplier can overload causing distortion and possible
damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the
knob counter-clockwise a few clicks.
This illuminated switch turns the amplier section on and o. The unit is ON/OFF Switch:
still receiving power from the transformer however.
This input is AC INPUT: only to use with the proprietary VANTONE Power Supply. be A
Tighten the cable/connector securely for reliable operation. There is a switch on the Note:
power supply for selecting the proper AC/MAINS operating voltage for your location.
GROUND LIFT Switch: By engaging this switch the pin 1 shield is lifted at the input jack.
This can be used to aid in ground loop control of the incoming analog line signal.
(2)
PLACEMENT
When positioning the AVANTONE on stands or console bridges it is best to keep MixCubes
them at ear level and slightly angled in towards the engineer. The optimum stereo listening
perspective is achieved by keeping the monitors at an equal distance from each other and to the
engineer’s ears.
Since MixCubes are shielded it is ok to place them near a CRT video monitor or TV without causing
any problems. The bottom 5/8”x27 mic stand mount will also allow you creative positioning options
in unusual studio playback situations.
MixCubes
Positioning

Product specificaties

Merk: Avantone Pro
Categorie: Speaker
Model: Active Mixcubes

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