Arturia Solina V Handleiding

Arturia Niet gecategoriseerd Solina V

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ARTURIA Solina –V – USER MANUAL 1

USER MANUAL

ARTURIA Solina –V – USER MANUAL 2

Direction

Frédéric Brun Kevin Molcard

Development

Pierre-Lin Laneyrie (project manager)

Theo Niessink (lead)

Stefano D'Angelo

Baptiste Aubry

Corentin Comte,

Adrien Courdavault

Baptiste Le Goff

Valentin Lepetit

Samuel Limier

Germain Marzin

Mathieu Nocenti

Pierre Pfister

Benjamin Renard

Design

Glen Darcey

Shaun Ellwood

Morgan Perrier

Sebastien Rochard

Greg Vezon

Sound Design

Glen Darcey

Boele Gerkes

Randy Lee

Theo Niessink

Erik Norlander

Pierce Warnecke

Manual

Randy Lee

Tomoya Fukuchi

Jason Valax

Special Thanks

Chuck Capsis

Denis Efendic

Ben Eggehorn,

David Farmer

Ruary Galbraith

Jeff Haler

Koshdukai

Simon McDonnell

Lewyn Mitchell

Ken Flux Pierce

Daniel Saban

Chad Wagner

11 Chemin de la Dhuy

38240 Meylan

FRANCE

http://www.arturia.com

ARTURIA Solina –V – USER MANUAL 3

Table of Contents

1 INTRODUCTION ................................................................................................................. 5

1.1 History of the original instrument ......................................................................................................... 5

1.1.1 String theories 5...................................................................................................................................

1.1.1.1 Chamberlin and Mellotron ..................................................................................................................................... 6

1.1.1.2 Ken Freeman: string synthesist 6 ................................................................................................................................

1.1.1.3 Eminent ...................................................................................................................................................................... 6

1.1.2 The ARP String Ensemble .................................................................................................................. 7

1.1.2.1 Arrival of the fittest ................................................................................................................................................... 7

1.1.2.2 Form factor 8 ................................................................................................................................................................

1.1.2.3 string of spinoffs A .................................................................................................................................................... 8

1.1.2.4 String songs: a selected discography ................................................................................................................... 9

1.2 Physical modeling synthesis ................................................................................................................ 10

1.2.1 Music and math: yet another link .................................................................................................. 10

1.2.2 A computational conundrum ........................................................................................................ 10

1.2.3 The endless revolution .................................................................................................................... 11

2 ACTIVATION AND FIRST START ...................................................................................... 12

2.1 Register and Activate .......................................................................................................................... 12

2.2 Initial setup ............................................................................................................................................. 12

2.2.1 Audio and MIDI settings: Windows ................................................................................................. 12

2.2.2 Audio and MIDI settings: Mac OS X ............................................................................................... 15

2.2.3 Using Solina V in plug-in mode ....................................................................................................... 16

3 USER INTERFACE .............................................................................................................. 17

3.1 The virtual keyboard ............................................................................................................................ 17

3.2 Toolbar .................................................................................................................................................... 17

3.2.1 Save Preset ..................................................................................................................................... 17

3.2.2 Save Preset As… ............................................................................................................................. 18

3.2.3 Import preset .................................................................................................................................. 18

3.2.4 Export preset ................................................................................................................................... 19

3.2.5 Resize window options ................................................................................................................... 19

3.2.6 Audio settings ................................................................................................................................. 20

3.2.7 Preset browser overview 20................................................................................................................

3.2.8 Open and Close Advanced section ............................................................................................. 21

3.2.9 MIDI Learn assignment ................................................................................................................... 21

3.2.9.1 Assigning / unassigning controls .......................................................................................................................... 22

3.2.9.2 Min / Max value sliders .......................................................................................................................................... 23

3.2.9.3 Relative control option ..........................................................................................................................................23

3.2.9.4 Reserved MIDI CC numbers ................................................................................................................................. 23

3.2.10 MIDI controller configuration .......................................................................................................... 24

3.2.11 The lower toolbar ............................................................................................................................ 24

3.2.11.1 Current control value ............................................................................................................................................ 24

3.2.11.2 MIDI Channel setting ............................................................................................................................................. 25