Arturia Matrix-12 V Handleiding

Arturia Niet gecategoriseerd Matrix-12 V

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ARTURIA Matrix-–12 V – USER MANUAL 1

USER MANUAL

ARTURIA Matrix-–12 V – USER MANUAL 2

Direction

Frédéric Brun Kevin Molcard

Development

Pierre-Lin Laneyrie (project manager)

Toby Carpenter (lead)

Stefano D'Angelo

Baptiste Aubry

Corentin Comte

Baptiste Le Goff

Valentin Lepetit

Samuel Limier

Germain Marzin

Mathieu Nocenti

Pierre Pfister

Benjamin Renard

Vincent Travaglini

Design

Glen Darcey

Shaun Ellwood

Morgan Perrier

Sebastien Rochard

Sound Design

Jean-Baptiste Arthus

Jean Michel Blanchet

Glen Darcey

Richard Devine

Ed Ten Eyck

Boele Gerkes

Frank Greiner

Victor Morello

Erik Norlander

Greg Savage

Paul Schilling

Stephane Schott

Nori Ubukata

Manual

Antoine Back

Tomoya Fukuchi

Jason Valax

Special Thanks

Paul Beaudoin

Bill Cameron « electrowizard »

Chuck Capsis

Richard Courtel

Dwight Davies

Ben Eggehorn

David Farmer

Jeff Haler

David Harman

Koshdukai

Terrence Mardsen

Ken Flux Pierce

Daniel Saban

Chad Wagner

11 Chemin de la Dhuy

38240 Meylan

FRANCE

http://www.arturia.com

ARTURIA Matrix-–12 V – USER MANUAL 3

Table of Contents

1 INTRODUCTION ................................................................................................................. 7

1.1 Oberheim: an overview ........................................................................................................................ 7

1.1.1 Prelude .............................................................................................................................................. 7

1.1.2 Lord of the Ring Modulators ............................................................................................................. 7

1.1.3 Technological innovations ............................................................................................................... 8

1.1.3.1 Polyphony . 8 ................................................................................................................................................................

1.1.3.2 Sequencers ............................................................................................................................................................... 9

1.1.3.3 Presets ...................................................................................................................................................................... 10

1.1.3.4 Drum machines ...................................................................................................................................................... 10

1.1.3.5 MIDI ..........................................................................................................................................................................11

1.2 The Oberheim synth family: a genealogy ....................................................................................... 11

1.2.1 SEM: the little synth that could ....................................................................................................... 11

1.2.2 The polysynths: rapid growth .......................................................................................................... 13

1.2.3 Crowning achievement: the Matrix 12 .......................................................................................... 13

1.2.4 Where the sound is found… ........................................................................................................... 14

1.3 All good things come to an end…for a while ................................................................................ 14

1.4 Arturia’s secret ingredient: TAE® ........................................................................................................ 15

1.4.1 Aliasing-free oscillators ................................................................................................................... 15

1.4.2 A better reproduction of analog oscillator waveforms . ................................................................ 16

1.4.3 Direct Filter Circuit Modeling .......................................................................................................... 17

2 ACTIVATION AND FIRST START ...................................................................................... 19

2.1 Register and Activate .......................................................................................................................... 19

2.2 Initial setup ............................................................................................................................................. 19

2.2.1 Audio and MIDI settings: Windows ................................................................................................. 19

2.2.2 Audio and MIDI settings: Mac OS X ............................................................................................... 22

2.2.3 Using Matrix-12 V in plug-in mode .................................................................................................. 22

3 USER INTERFACE .............................................................................................................. 23

3.1 The virtual keyboard ............................................................................................................................ 23

3.2 Toolbar .................................................................................................................................................... 23

3.2.1 Save Preset ..................................................................................................................................... 23

3.2.2 Save Preset As… ............................................................................................................................. 24

3.2.3 Import preset .................................................................................................................................. 24

3.2.4 Export preset ................................................................................................................................... 25

3.2.5 Resize window options ................................................................................................................... 25

3.2.6 Audio settings ................................................................................................................................. 26

3.2.7 Preset browser overview ................................................................................................................ 26

3.2.8 MIDI Learn assignment ................................................................................................................... 27

3.2.8.1 Assigning / unassigning controls .......................................................................................................................... 28

3.2.8.2 Min / Max value sliders .......................................................................................................................................... 29

3.2.8.3 Relative control option ..........................................................................................................................................29

3.2.8.4 Reserved MIDI CC numbers ................................................................................................................................. 29