Peavey 6505 1992 Original Handleiding

Peavey Gitaarversterker 6505 1992 Original

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OPERATING GUIDE

SPEAKER CONNECTION

When connecting the ampliﬁer to the speaker enclosure,

make. sure to set the impedance selector switch on the rear

of the unit to the impedance that matches your enclosure.

When two enclosures of equal impedance are used, set the

switch to one half the impedance of one enclosure (e.g.

two 16 ohm enclosures: set switch to 8 ohms; two 8 ohm

enclosures: set switch to 4 ohms). The 6505 1992 Original

is designed to operate into a minimum of 4 ohms.

EFFECTS PATCHING

USING THE EFFECTS LOOP

TO PATCH EXTERNAL,NON

GAIN PRODUCING

EFFECTS DEVICES

(DIGITAL DELAY, REVERS,

CHORUS, ETC.)

8 OHMS

SET SWITCH

TO 4 OHMS

8 OHMS

16 OHMS

SET SWITCH

TO 8 OHMS

16 OHMS

EFFECT(S) ARE

SELECTABLE USING

1992 ORIGINAL

6505 1992

Original REMOTE

FOOTSWITCH (See

section on REMOTE

FOOTSWITCH JACK)

FROM OUTPUT OF

RACK EFFECTS UNIT

TO 1992 ORIGINAL

6505 1992 Original

EFFECTS RETURN

INPUT

FROM 1992

ORIGINAL 6505

1992 Original SEND

OUTPUT TO INPUT

OF RACK EFFECTS

UNIT

IN OUT

SEND RETURN

RACK MOUNT EFFECTS UNIT

BACK PANEL

FLOOR PEDAL

OUT

FROM OUTPUT OF

EFFECTS PEDAL

TO 1992 ORIGINAL

6505 1992 Original

EFFECTS RETURN

INPUT

FROM 1992

ORIGINAL 6505

1992 Original SEND

OUTPUT TO INPUT

OF EFFECTS PEDAL

SEND RETURN

SPECIFICATIONS

POWER AMPLIFIER SECTION

Rated Power & Load:

120 W RMS into 16, 8, or 4 ohms

Power @ Clipping:

(Typically @ 5% THD, 1 kHz, 120 V AC line)

130 W RMS into 16, 8, or 4 ohms

(Bias must be reduced to measure)

Frequency Response:

+0, -3 dB, 50 Hz to 20 kHz, @ 100 W RMS into 8

ohms

Hum & Noise:

Greater than 75 dB below rated power

Power Amp EQ:

Active Presence: +10 dB 2 kHz

Active Resonance: +10 dB @ cabinet resonant

frequency

Power Consumption: (Domestic)

400 watts 50/60 Hz, 120 V AC

PREAMP SECTION

The following specs are measured @ 1 kHz with the

controls preset as follows:

Low & High EQ @ 0

Bright out

Lead & Rhythm Post @ 10

Presence & Resonance @ 0 dB

Nominal levels with Pre Gains @ 5

Minimum levels with Pre Gains @ 10

Preamp High Gain Input:

Impedance: Very high Z, 470K ohms

LEAD CHANNEL (with channel select in)

Nominal Input Level: -80 dBV, -1 mV RMS

Minimum Input Level: 92 dBV. /025 mV RMS

CLEAN CHANNEL: (with channel select out)

Nominal Input Level: +34 dBV, 20 mV RMS

Minimum Input Level: -50 dBV, 3 mV RMS

Maximum Input Level: 0 dBV, 1.0 V RMS

(Subtract 16 dB with Crunch switch in)

Preamp Low Gain Input: (-6 dB pad)

Impedance: High Z 44K ohms

All levels are increased by +6 dB

Effects Send:

Load Impedance: 47K ohms or grater

Nominal Output: -10 dBV, 300 mV RMS

Effects Return:

Impedance: Very high Z, 470K ohms

Designed Level: -10 dBV, 300 mV RMS

Preamp Output:

Load Impedance: 47K ohms or grater

Nominal Output: +10 dBV, 3 V RMS

Remote Footswitch:

Special 2 button unit with LED indicators (supplied)

Channel select & Effects loop bypass

System Hum & Noise @ Nominal Level:

(Clean channel)

120 Hz to 20 kHz unweighted)

Greater than 74 dB below rated power

Equalization:

Custom Low, Mid & High passive type EQ Push

Bright, (Rhythm channel only)

+6 dB @ 2 kHz

Push Crunch (Rhythm channel only) Increases gain

Logo referenced in Directive 2002/96/EC Annex IV

(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005

The bar is the symbol for marking of new waste and

is applied only to equipment manufactured after

13 August 2005

www.peavey.com

Warranty registration and information for U.S. customers available online at

www.peavey.com/warranty

or use the QR tag below

Features and specications subject to change without notice.

Peavey trElec onics Co orrp ation H5022 art ey l Peavey Drive ian, MS 05Merid 393 ) 5(601 483-536 FAX 01) -1 8(6 486 27

FCC/ICES Compliancy Statement

This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the

following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received,

that may cause undesired operation.

Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence. L’exploitation est

autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2) I’utilisateur de I’appareil doit accepter tout

brouillage radioélectrique subi, même si le brouillage est susceptible d’en compromettre le fonctionnement.

Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s authority to use the

equipment.

Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC

Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This

equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may

cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular

installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the

equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures.

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

Caution

The equipment complies with FCC radiation exposure limits set forth for an uncontrolled environment.

Congratulations! You have purchased

a rock & roll monster. The Peavey

6505® 1992 Original is the result

of an extensive research and

development to produce the ultimate

rock & roll guitar amp. You’re

ready to experience super rock

crunch, harmonic-rich sustain, and

screaming metal drive like you’ve

never heard from another amp.

Before you begin, please take the

time to read this operating guide,

familiarizing yourself with the 6505

1992 Original’s controls and

functions.

INPUTS

The 6505 1992 Original’s input

block features HIGH [1] and

NORMAL [2] gain inputs. The

HIGH gain input has twice

the gain of the NORMAL gain

input and should be used when

maximum overdrive is desired.

When both inputs are used

simultaneously, the 6505 1992

Original automatically switches to

the normal gain mode (6 dB pad).

Situations where both inputs are

used at once (alternating between

two guitars on stage using both

inputs, etc.) should be avoided if

peak overdrive is expected from

the amp. Experimentation with

your particular guitar/pickup into

each input will determine which

input is best for your sound.

CHANNEL SELECT SWITCH

Allows selection of the RHYTHM

or LEAD channel. Depressing

the switch to the “in” position

activates the LEAD channel. The

red LED light will illuminate to

indicate that the LEAD channel is

active. In the “out” position the

RHYTHM channel is activated

and the green LED illuminates.

Channels may be remotely

selected using the 6505 1992

Original’s footswitch. If remote

selection is desired the channel

select switch must be set to the

“in” position (LEAD channel).

LEAD PRE & POST GAIN

The LEAD CHANNEL PRE GAIN

[8] controls the input level and

works with the LEAD CHANNEL

POST GAIN [13] to determine the

overall volume/overdrive of the

LEAD channel. Lower settings of

the PRE GAIN control produce

a relatively clean, undistorted

sound while the middle to high

settings produce harmonically

rich distortion and screaming

overdrive/sustain. Since both PRE

and POST GAIN controls work in

“combo/’ a basic rule-of-thumb

set-up procedure is to begin

with both controls in the lower

settings (0 - 2). Using the PRE

GAIN control, dial in the amount

of overdrive/sustain you want

for the LEAD channel. Then, with

the POST GAIN control adjust for

overall volume.

RHYTHM PRE & POST GAIN

The RHYTHM channel PRE [4]

and POST GAIN [12] operate in

the same manner as the LEAD

channel gain controls. For most

applications, the RHYTHM

channel should be set up with

the PRE GAIN at the lower,

“cleaner” settings (0 - 4) and

the POST GAIN set for overall

volume. The RHYTHM channel

can be converted to a second

“lead” channel by activating the

CRUNCH SWITCH [6].

BRIGHT SWITCH

Activates a preset boost in the

treble frequencies (6 dB at 2

kHz) and affects only the rhythm

channel.

CRUNCH SELECT SWITCH

Boosts the gain of the rhythm

channel to create a second “lead”

channel. Depress to the “in”

position to activate.

EQUALIZATION

The 6505 1992 Original’s

equalization block features

passive LOW, MID, and HIGH EQ.

RESONANCE I PRESENCE

Unique to the 6505 1992 Original,

the RESONANCE [14] control can

be set to boost the gain of the

power amp in the low frequencies

at the resonance/attenuation point

of the speaker cabinet. In simple

terms, the RESONANCE control

works like a low EQ to offset

low-end frequency drop-out. The

PRESENCE [15] control works in

the same manner, boosting the

high frequencies. Experimentation

using your particular speaker

cabinet along with personal taste

will determine your setting for

these important controls.

STANDBY SWITCH

Allows the 6505 to be placed

in a non-operational standby

mode. When the standby switch

is activated, the tubes remain

hot and ready for instantaneous

operation, eliminating warm-up

time. The STANDBY LED indicator

light [16] will illuminate when the

amp is in the operational . mode

POWER SWITCH

Supplies power to the unit.

Depressed to the “ON” position,

the POWER LED indicator light

[17] will illuminate indicating

power is being supplied to the

unit.

FUSE

A 5 amp fuse is located within the

cap of the fuse holder. It must be

replaced with the same type and

value in order to avoid damage

to the equipment and to prevent

voiding the warranty. If the amp

repeatedly blows fuses, it should

be taken to a qualiﬁed service

center for repair.

WARNING: The fuse should only

be replaced when the power cord

has been disconnected from its

power source.

LINE CORD (120 V units only)

For your safety, we have

incorporated a 3-wire line (mains)

cable with proper grounding

facilities. It is not advisable to

remove the ground pin under any

circumstances. If it is necessary

to use the 6505 1992 Original

without proper grounding

facilities, suitable grounding

adaptors should be used. Greatly

reduced shock hazard exists

when the unit is operated with the

proper grounded receptacles.

GROUND SWITCH

Three position, rocker-type switch

which, for most applications,

should be operated in the center

(zero) position. If hum or noise

is noticed coming from the

speaker enclosure(s) with the

ground switch in the center

position, place the ground switch

to positive or negative (+or - ) to

minimize hum. Should a hum/

noise problem continue, consult

your authorized Peavey Dealer,

the Peavey factory, or a qualiﬁed

service technician. NOTE: The

ground switch is not functional

on 220/240 volt models.

EFFECTS SEND I EFFECTS

RETURN

Signals are supplied to outboard

effects or signal processing

units by patching from the

EFFECTS SEND [23] output into

the outboard unit(s) and back

into the EFFECTS RETURN [24]

input using shielded cable with

¼” phono jacks. Only non gain

effects devices (chorus, reverb,

delay, etc.) should be used in

the effects loop. Remote (on/

off) selection of outboard effects

devices can be achieved using the

6505 1992 Original’s footswitch.

PREAMP OUT

This output can be used to send

a preamped signal from the

6505 1992 Original to a mixing

console, tape recorder, etc., using

shielded cable. Patching from the

PREAMP OUT does not affect the

normal operation of the ampliﬁer.

REMOTE FOOTSWITCH JACK

Provided for the connection of

the supplied remote footswitch.

When the footswitch is plugged

into the remote footswitch jack,

the channel select switch [3]

must be pressed to the “in”

position for remote selection to

operate. Remote selection of the

LEAD or RHYTHM channel (left

footswitch button) or outboard

devices in the effects loop (right

footswitch button) is possible

with the remote footswitch.

SPEAKER OUTPUTS

Paralleled ¼’’ OUTPUTS output

jacks for connecting speaker

enclosure(s) to the ampliﬁer

(minimum: 4 ohms). When using

more than one enclosure, be sure

to calculate the total impedance

and set the impedance switch

[28] accordingly. (See section on

IMPEDANCE SWITCH.)

Important: Use only high quality,

Unshielded cable for speaker

connections.

IMPEDANCE SELECTOR

SWITCH

Use to select the appropriate

impedance of the speaker

enclosure(s). If two enclosures

of equal impedance are used, the

switch should be set at one half

of that value (e.g.,two 16 ohm

enclosures: set switch to 8 ohms;

two 8 ohm enclosures: set switch

to 4 ohms).

26 27 28

OPERATING GUIDE

1 3 6 10 28262420 27

18 21 23 25 2717151413121198542

1916

PUSH

CRUNCH

PUSH

BRIGHT

PRE POST

TUBE STAGES

CHANNEL

SELECT

FOOTSWITCH

LOW MID HI

RHYTHM

LEAD

TUBE BUFFER

EFFECTS

SEND

RETURN

TUBE STAGES

TUBE

POWER

AMP IMPEDANCE

SWITCH

OUTPUT

RESONANCE PRESENCE

PREAMP

OUT

SWITCH

LOGIC

TUBE STAGE

INPUT SWITCH

LOGIC

TUBE STAGES

SIGNAL FLOW BLOCK DIAGRAM

Product specificaties

Merk:	Peavey
Categorie:	Gitaarversterker
Model:	6505 1992 Original

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