KRK Rokit RP 10-3 G4 Handleiding

KRK Monitor Rokit RP 10-3 G4

Lees hieronder de šŸ“– handleiding in het Nederlandse voor KRK Rokit RP 10-3 G4 (5 pagina's) in de categorie Monitor. Deze handleiding was nuttig voor 51 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld

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USER MANUAL
DSP CONTROLLED
STUDIO MONITOR
Welcome to ROKIT G4. We wanted to give you some history. In 2016, aī†œer working for 2 years with
more than 300 professionals, KRK launched the V Series 4 monitors. They have become very
popular with pro producers, engineers and power users and the reviews have been stellar. As we
developed the ROKIT G4 we started with the goal of bringing the sound and look of the V Series 4
to you, the ROKIT G4 customer. This meant, for the ī…¾rst ī‡¢me in ROKIT history, using drivers
designed with KevlarĀ® as we have done in our premium monitor lines for over 30 years. Like the V
Series 4, we used a powerful DSP to give you an incredible soundscape as well as deep EQ control
to help you with room acousī‡¢cs. And this was just the beginning.
Below are some more tips and tricks as well as informaī‡¢on to help you get the most out of your
listening experience.
Room placement and set up.
The KRK design team has painstakingly modeled and analyzed hundreds of monitor placement and
room acoustic situaī‡§ons to ensure that KRK delivers the most useful tools with minimal EQ
adjustments. Room acousī†¦cs are the biggest issue in todayā€™s studios because we are not in the
perfectly built rooms now. Many great studios are just in a revamped house. We are giving you
control to correct some of the anomalies you get from these types of situaī‡§ons.
With the LOW EQ HIGH and EQ, we have given you diī†ere combinations voicings to 25 nt of EQ
help you correct for your studio acousī‡§cs to deliver more accurate monitoring. Start with ā€™s LOW
EQ EQ and HIGH set to 3: FLAT, which is truly flat, no cut or boost and the VOLUME set to 0.0dB.
Set them up in your room per the informaī‡§on and diagrams below. Listen to some of your favorite
songs and mixes. Try diī†erent posiī‡§ons in your room diī†erent placements before making and EQ
adjustments and then adjust the to give you your best listening and monitoring experience. EQ
SYSTEM SETUP Overall system setup is crucial to avoid unnecessary room acousī‡§c interacī‡§on. A
roomā€™s natural acousī†¦cs may alter the sound level at various frequencies due to abnormal damping
or reī†ecī‡§ons. Follow the checklist below for more details.
1 The system setup (studio monitors and work table) should be placed within the front 1/3 of the
room. Doing so will reduce reī†ecī‡§on buildup of peak frequencies.
2 The leī†¢ and right sides of the system setup should be centered an equal distance from the leī†¢
and right walls. This will produce even mid and low frequency response and preserve stereo
imaging.
3 Avoid a listening posiī‡§on (your ears) that is closer than 3 feet (1 meter) from any wall. Also avoid
large objects (such as lamps or decoraī‡§ons) near the studio monitor and listening posiī‡§on.
4 Diī†users and absorpī‡§on material in the corners and back of a room will help remove room
interacī‡§on by prevenī‡§ng reī†ecī‡§ons.
5 Carpeī‡§ng will help prevent reī†ecī‡§ons from hard ī†oor surfaces.
6 Studio monitor isolators (foam or rubber pads) will help remove low frequency coupling between
the stands and desk. Low frequency coupling will cause the stand or desk to vibrate causing
unwanted sounds.
7 A low noise ī†oor in your room (no outside interference from refrigerators or fans) is important to
prevent the masking of low frequency detail. Raī‡±les due to studio monitor playback should be
ī†„xed as well.
Within the system setup, the studio monitors and listening placement should be posiī‡§oned in a
near ī†„eld conī†„guraī‡§on as follows: The leī†¢ and right studio monitors should be approximately 3 to
5 feet (1 to 1.5 meters) apart and directed at a 60 degree angle towards the listening locaī‡§on.
Measure the distance between the leī†¢ and right studio monitors and sit in the listening posiī‡§on
that is equal distance to both sides. This will form an equilateral triangle. It is important that both
leī†¢ and right studio monitors are level matched (same volume).
The ROKIT G4, in the 5 , 7 ā€ ā€ and 8ā€ version, is a two-way studio monitor with a tweeter (producing
high frequencies) and a woofer (producing mid and low frequencies) in one enclosure. In between
the tweeter and woofer is the acousī‡‰c axis point where the full frequency range comes together.
The ideal locaī‡‰on for the acousī‡‰c axis point is located at ear level in the listening posiī‡‰on. It is
acceptable to angle the studio monitors so the acousī‡‰c axis is pointed in the correct direcī‡‰on.
The ROKIT G4 10-3 is a three-way studio monitor with a tweeter (producing high frequencies), a
midrange driver (producing mid frequencies) and a woofer (producing low frequencies) in one
enclosure. Whether using the 10-3 in verī‡‰cal or horizonal mode, the center of the midrange driver
is the acousī‡‰c axis point where the full frequency range comes together. The ideal locaī‡‰on for the
acousī‡‰c axis point is located at ear level in the listening posiī‡‰on. It is acceptable to angle the studio
monitors so the acousī‡‰c axis is pointed in the correct direction.
Now that we have giving you a great starting place, feel free to break the rules and try what works
for you. For instance, the ROKIT G4 like its big brother, the V Series 4, has a very wide sweet spot so
instead of direcī‡‰ng them at a 60 degree angle to the listening posiī‡‰on, try them at a 70 or 80
degree angle and then try siī‡•ng closer to them or further away but always have the acousī‡‰c axis
point directed at your ears. Listen to the sound scape and again, choose what sounds great to you.
Tips and tricks and features
Grilles
You may decide to purchase the user installable grilles for your monitors. They are only available
for the 5ā€, 7ā€ and 8ā€ versions. While most producers/mixer prefer a monitor to have exposed
drivers, there are some instances where having a grille is important or useful.
They are to use in high traī…°c situaī‡‰ons for the protecī†°on of your monitorā€™s drivers. For instance,
in mobile recording trucks or studios with a lot of foot traī…°c. You can use them in your home
studio to protect them from liī‡“le pokey fingers Use them to protect the drivers as you travel to .
diī…£erent studios Because the grille is held on magneī‡‰cally, you can put them on just during .
transport and then switch back to the no grille baī†ƒe when you arrive.
The front baī†ƒe is aī‡“ached magneī‡‰cally. To install the grille, simply reach into the port near the
leī†„ or right side pull the faceplate forward and oī…£, then snap on the faceplate w/grille. and
If you do decide to use the grilles, you can have conī…¦dence that they will not aī…£ect the sound of
the ROKIT G4. Because of the design of the grille, for all intents and purposes, there is no change in
frequency response from grille to no grille.
EVA Cushion
EVA foam cushion on the boī‡“om of your monitors aid in keeping your monitors in place when
playing music. It adds punch and clarity because you lose energy due to cabinet movement. donā€™t
The foam also isolates the monitor from your desk.
VOLUME on the HOME SCREEN is the monitorā€™s input sensiī‡Švity
We call it volume because it is the easiest way to understand Input sensiī‡‰vity Our ampliī…¦er runs .
wide open and then you adjust how ā€œhardā€ you hit it with input sensiī‡‰vity, also known as a pad.
For ROKIT G4 if you put the VOLUME at 0.0dB that is professionally known as +4 dBu. If you put the
VOLUME at 11.0dB that is professionally known as -10dBV.
Running at +4 is ā€œquieterā€ than -10. -10 hits the amp a lot harder so it is perceived as ā€œlouderā€. But,
in essence, this is incorrect. All you are doing is reducing your headroom and dynamic range. The
bigger issue is that you will have a much worse signal- -noise raī‡‰o running at -10, again, because to
the amp is wide open and you are now puī‡•ng more gain in front of it. So, because of all of that,
the more ā€œproā€ way to run the monitors is at +4 for almost all situaī‡‰ons. You will have more
headroom and dynamic range and that will make your music and mixes feel beī‡“er and more
ā€œopenā€ as you work.

Product specificaties

Merk: KRK
Categorie: Monitor
Model: Rokit RP 10-3 G4

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