Golden Age Project PRE-73 MKIII Handleiding
Golden Age Project
Receiver
PRE-73 MKIII
Lees hieronder de š handleiding in het Nederlandse voor Golden Age Project PRE-73 MKIII (2 pagina's) in de categorie Receiver. Deze handleiding was nuttig voor 65 personen en werd door 2 gebruikers gemiddeld met 4.5 sterren beoordeeld
Pagina 1/2
W W W . G O L D E N A G E P R O J E C T . C O M I
PRE-73 MKIII
INTRODUCTION
Congratulations on choosing the Golden Age Project PRE-73 MKIII microphone preampliļ¬er!
The PRE-73 MKIII is a one-channel vintage style microphone-, line- and instrument preampliļ¬er. The signal
path uses only discrete components like resistors, capacitors and transistors. The in- and output is trans-
former balanced, using two different transformers, each one optimized for its purpose. This is the way audio
components were built before integrated circuits became available.
Integrated circuits are small and cheap and they are widely used in most modern designs. It is clear though
that audio components built with modern technology doesnĀ“t always provide the best perceived sound quality
or the type of character that the modern user desires.
On the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one
delivered by modern units, a situation that is even more obvious now when music is recorded with clean-
sounding digital audio equipment.
This is the reason why so many vintage audio components are cloned and produced again and also why the
vintage originals are often very expensive on the second hand market.
The circuit used in the PRE-73 MKIII is similar to the preamp section in the classical 1073 module with a
corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have
been heard on countless recordings through the years and it is a versatile sound that works very well on
most sound sources and in most genres.
The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.
FEATURES
- Vintage Style electronics. No intergrated circuits in the signal path.
- Maximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.
- GAIN switch range 20 - 80 dB. GAIN/LINE mode switch, gain is reduced by 30 dB in LINE mode.
- Selectable two position high frequency AIR boost eq, 3 or 6 dB @ 30 kHz.
- Selectable 6 dB/octave two frequency high pass ļ¬lter at around 40 (HP1) and 170 Hz (HP2).
- Tantalum capacitors in the signal path.
- Switchable impedance in MIC mode, 1200 or 300 Ohms, will change the tone of most mics. The input impedance in LINE mode is 10 kohm.
- Switchable phantom power and absolute phase.
- A high-impedance instrument input for any sound module, electric guitar or bass.
- A simple but effective 4-step LED output level meter.
- The output level control makes it possible to make ļ¬ne gain adjustments and also to overload the main gain stage(s) for more character and then
lower the signal to a suitable level before the output stage.
- Combo XLR/TRS input jack and separate output XLR and TRS jacks for ļ¬exible connections.
- Insert jack for inserting EQĀ“s and other units.
- Selectable 600 ohm output termination.
- The pcb is prepared for the Carnhill input transformer.
- External power supply to avoid interaction with the audio circuits and transformers.
- A solid build quality that will last many years of normal use.
W W W . G O L D E N A G E P R O J E C T . C O M II
CIRCUIT DESCRIPTION
The signal ļ¬rst enters the input trans-
former. The primary of the transformer
has two windings that are either con-
nected in series or in parallell which
results in an input impedance of either
1200 Ohms or 300 Ohms in MIC mode. A
resistive balanced -30dB pad is inserted
before the transformer in LINE mode.
The transformer is followed by two input gain stages. For gains up
to 50dB, only one of them is being used. For gains above 50dB, the
second gain stage is inserted in the signal path. Both gain stages
uses only three transistors each.
The signal then goes to the insert jack and from there to the
output level potentiometer and then to the output stage. This stage
again only uses three transistors, the last one in the chain is a
hefty 2N3055 power transistor run in class-A mode, driving the
output transformer.
So, all in all, the complete signal chain only contains a maximum
of nine active elements. Compare that to the big number of tran-
sistors that are usually used in one single integrated circuit!
MODERN VERSUS OLD
It is true that there are some great ICĀ“s available today that
achieves very low levels of static and dynamic distortion.The
simple circuits that the PRE-73 MKIII uses, and even more so the
transformers, cannot match the low distortion speciļ¬cations of
modern ICĀ“s.
It is the distortion components that imparts a sound character
to the audio signal and, if the distortion components are of the
right type, this is a good thing since it makes the recorded voice
or instrument sound ābetterā, more musical, more pleasing to
the ear. This is one reason why vintage style units are so popular
today.
This is not to suggest that modern, transparent sounding audio
circuits is a bad thing, sometimes they are prefered over colored
ones. ItĀ“s all about taste and it depends on the genre. For most
modern music styles, color and character is deļ¬nitely a good
thing.
And doesnĀ“t it feel good to use audio components built according
to the old, minimalistic approach where one can follow the signal
from one discrete component to another?
USING THE PRE-73 MKIII
Using a preampliļ¬er is not rocket science. Here are some points
though to help you getting the maximum out of the PRE-73 MKIII:
- Connect the cable from the power supply to the AC 24V connec-
tor at the back of the PRE-73 MKIII. Power on the unit with the
POWER switch on the front panel.
- Connect your Mic or Line input source to the input XLR/TRS
combo jack on the back panel.
- Select MIC or LINE mode by the MIC/LINE switch.
- Engage one of the positions of the High Pass ļ¬lter if you want
to roll off the lower frequency range. Set the switch in the center
position to remove the high pass ļ¬lter from the signal path.
- Engage one of the two positions of the AIR eq boost if you want
to add some level in the upper frequency range. The center of the
boost is at around 30 kHz. The switch center position = OFF.
- If you want the smallest amount of coloration, always set the
OUTPUT level potentiometer at or close to maximum and adjust
the output level with the stepped GAIN switch.
- If you want more character, turn the OUTPUT level potentio-
meter counterclock-wise and increase the gain with the GAIN
switch. This will drive the input gain stage(s) harder and provoke
more character from them.
- You can also overdrive the output stage and the output trans-
former for even more character, but you will then usually need a
level control after the PRE-73 MKIII in order to reduce the level to
the appropiate one. This level control can be a passive damping
device (like the Shure A15AS XLR switchable pad) or an input level
control in the unit following the PRE-73 MkIII. The Shure A15AS
is also useful for reducing the ouput level if the PRE-73 MKIII is
connected to a unit that has a standard operating level of -10 dBu.
The standard operating level of the PRE-73 MKIII is +4 dBu, the
output level into a 600 ohm load will be about 1,23V when the ā0ā
VU LED is lit.
- Instruments can be connected to the TRS input at the front which
has an input impedance of about 100 kohm. Press the DI switch to
engage this input. A source at the back can remain connected.
- Engage the +48V phantom power for any mic that needs it. It is a
good procedure to always disengage the phantom power and wait
for about 10 seconds before unplugging the mic.
- When the LOW-Z switch is engaged, the input impedance of the
input in MIC mode drops from 1200 Ohms to 300 Ohms. This will
change the tone of most mics and will give you one more sound-
shaping option. It also increases the level, which is normal.
- The phase switch simply reverses the phase by reversing the
wires from the secondary winding of the output transformer.
Reversing the phase of the signal is useful on a number of occa-
sions, one example is phase reversing the the lower mic of a
snare drum to make it sum in phase with the upper mic.
- There is an unbalanced Insert jack located at the back panel
where you can insert Equalizers and other external effect units
that has an operating level of about -10 dbu to -18dBu.
Send is on ātipā and return on āringā.
- The output transformer used in the PRE-73 MKIII is made for
having an ideal load of about 600 ohm. The input impedance of
most modern units is 10 kohm or more. The PRE-73 MKIII there-
fore has a 600 ohm output termination resistor that is engaged
by the jumper (JP1) located just behind the XLR output jack. The
termination reistor will lower the ouput level slightly and make
the frequency response ļ¬atter in the upper range, it will also roll
off the upper frequency range earlier, Remove the jumper if the
PRE-73 MKIII feed a unit with a 600 ohm imput impedance of if you
want to add som level in the upper range,
WARRANTY
The PRE-73 MKIII is built to last. But as in any electronic device,
components can break down.
There is a 1,0A, slow blow fuse located inside the unit. If the unit
dies, please check this fues. If it has blown, replace it with a new
one. You can also try with another 24V AC adaptor if you have one
available.
If this doesnĀ“t help, or if the unit has another problem, it will need
repair and you should then contact the reseller where you bought
the unit.
The warranty period is decided by the Distributor for your country.
The Distributor will support Golden Age Project resellers and end
users with repairs and spare parts.
REGISTRATION
You are welcome to register your unit at our website:
www.goldenageproject.com
---------------------------
I would like to thank you for chosing the PRE-73 MKIII!
I hope it will serve you well and that it will help you in
making many great sounding recordings.
Yours,
Bo Medin
Vintage character for modern ideas!
Product specificaties
| Merk: | Golden Age Project |
| Categorie: | Receiver |
| Model: | PRE-73 MKIII |
Heb je hulp nodig?
Als je hulp nodig hebt met Golden Age Project PRE-73 MKIII stel dan hieronder een vraag en andere gebruikers zullen je antwoorden
Handleiding Receiver Golden Age Project
14 Juni 2023
10 Februari 2023
27 Januari 2023
16 December 2022
23 November 2022
2 November 2022
14 Oktober 2022
Handleiding Receiver
- Receiver Bosch
- Receiver Philips
- Receiver Sony
- Receiver Panasonic
- Receiver Brondi
- Receiver Asus
- Receiver Garmin
- Receiver JVC
- Receiver JBL
- Receiver Kenwood
- Receiver Motorola
- Receiver Nokia
- Receiver Onkyo
- Receiver Pioneer
- Receiver Yamaha
- Receiver Advance Acoustic
- Receiver AEA
- Receiver Aiwa
- Receiver Akai
- Receiver Akg
- Receiver Alecto
- Receiver Alpine
- Receiver Alto
- Receiver Amazon
- Receiver American Audio
- Receiver Amiko
- Receiver Ampeg
- Receiver Amplicom
- Receiver Apart
- Receiver Arcam
- Receiver Artsound
- Receiver Astro
- Receiver Audio Pro
- Receiver Audio-Technica
- Receiver Audiolab
- Receiver Audison
- Receiver Audizio
- Receiver Auna
- Receiver AVM
- Receiver Axis
- Receiver Axton
- Receiver Bang Olufsen
- Receiver Behringer
- Receiver Belkin
- Receiver Blaupunkt
- Receiver Bluesound
- Receiver Bose
- Receiver Boss
- Receiver Brigmton
- Receiver DAP
- Receiver DAP Audio
- Receiver Definitive Technology
- Receiver Denon
- Receiver Denson
- Receiver Denver
- Receiver Devialet
- Receiver Devolo
- Receiver DIO
- Receiver DLS
- Receiver Dreambox
- Receiver Dual
- Receiver Ebode
- Receiver Edision
- Receiver Elac
- Receiver Elektrobock
- Receiver ESX
- Receiver Fender
- Receiver Fenton
- Receiver Ferguson
- Receiver Fiio
- Receiver Focal
- Receiver Focusrite
- Receiver Formuler
- Receiver Fusion
- Receiver Geemarc
- Receiver Gira
- Receiver Godox
- Receiver Goobay
- Receiver Graupner
- Receiver Ground Zero
- Receiver Hager
- Receiver Hama
- Receiver Harman Kardon
- Receiver Hartke
- Receiver Helix
- Receiver Hertz
- Receiver Hifonics
- Receiver Hirschmann
- Receiver Homecast
- Receiver HQ
- Receiver HQ Power
- Receiver HUMANTECHNIK
- Receiver Humax
- Receiver Icom
- Receiver Imperial
- Receiver Infinity
- Receiver Insignia
- Receiver Iriver
- Receiver Kathrein
- Receiver Kicker
- Receiver Klipsch
- Receiver Koda
- Receiver Kogan
- Receiver Konig
- Receiver Lanzar
- Receiver LD Systems
- Receiver Legamaster
- Receiver Line 6
- Receiver Logilink
- Receiver Logitech
- Receiver Luxman
- Receiver Mac Audio
- Receiver Mackie
- Receiver Magnat
- Receiver Manhattan
- Receiver Marantz
- Receiver Marmitek
- Receiver Marquant
- Receiver Marshall
- Receiver Maxview
- Receiver MB Quart
- Receiver Medeli
- Receiver Megasat
- Receiver Meliconi
- Receiver Mercury
- Receiver Meridian
- Receiver Metronic
- Receiver Monacor
- Receiver Monitor Audio
- Receiver Mtx Audio
- Receiver Mx Onda
- Receiver NAD
- Receiver Naim
- Receiver Nedis
- Receiver Peavey
- Receiver Phoenix Gold
- Receiver Pinnacle
- Receiver Plantronics
- Receiver Polk
- Receiver Power Dynamics
- Receiver Pyle
- Receiver Raymarine
- Receiver RCF
- Receiver Reely
- Receiver REL Acoustics
- Receiver Reloop
- Receiver Renegade
- Receiver Renkforce
- Receiver Revox
- Receiver Rockford Fosgate
- Receiver Roland
- Receiver Rotel
- Receiver Sagem
- Receiver Salora
- Receiver Salus
- Receiver Samson
- Receiver Sangean
- Receiver Saramonic
- Receiver Scansonic
- Receiver Selfsat
- Receiver Sencor
- Receiver Sennheiser
- Receiver Sharp
- Receiver Sherwood
- Receiver Silvercrest
- Receiver Simrad
- Receiver Skytec
- Receiver Skytronic
- Receiver Smart
- Receiver Smartwares
- Receiver Sogo
- Receiver Soundstream
- Receiver Stinger
- Receiver Strong
- Receiver Sunstech
- Receiver Synq
- Receiver Tangent
- Receiver Tascam
- Receiver Teac
- Receiver Technics
- Receiver Technisat
- Receiver Telefunken
- Receiver Telestar
- Receiver Terratec
- Receiver Teufel
- Receiver Thomson
- Receiver Thorens
- Receiver Toa
- Receiver Triax
- Receiver Trust
- Receiver TV STAR
- Receiver Universal Remote Control
- Receiver Velleman
- Receiver Velodyne
- Receiver Vivanco
- Receiver Vivotek
- Receiver Vonyx
- Receiver Wharfedale
- Receiver Winegard
- Receiver Xoro
- Receiver Xsarius
- Receiver Xtrend
- Receiver Yaesu
- Receiver Zalman
- Receiver Zehnder
- Receiver Zgemma
- Receiver Zoom
- Receiver Jabra
- Receiver Jamo
- Receiver JB Systems
- Receiver Jensen
- Receiver JL Audio
- Receiver Jung
- Receiver Octagon
- Receiver Omnitronic
- Receiver Optex
- Receiver Optoma
- Receiver Anthem
- Receiver Cambridge
- Receiver McIntosh
- Receiver Vincent
- Receiver Inateck
- Receiver Palsonic
- Receiver Vox
- Receiver Bang And Olufsen
- Receiver Bowers And Wilkins
- Receiver Caliber
- Receiver CSL
- Receiver Exibel
- Receiver GoGEN
- Receiver KrĆ¼ger And Matz
- Receiver Monoprice
- Receiver Naxa
- Receiver Sandberg
- Receiver Shure
- Receiver Steren
- Receiver Redline
- Receiver Hilti
- Receiver Clarion
- Receiver Conrad
- Receiver Bush
- Receiver EMOS
- Receiver TelevƩs
- Receiver MXL
- Receiver Cabasse
- Receiver Aplic
- Receiver Atlona
- Receiver Majestic
- Receiver Trevi
- Receiver Crunch
- Receiver Vivolink
- Receiver SIIG
- Receiver Avantree
- Receiver ClassƩ
- Receiver HEOS
- Receiver Scosche
- Receiver Canton
- Receiver Genie
- Receiver Tripp Lite
- Receiver James
- Receiver QTX
- Receiver Nexa
- Receiver Musical Fidelity
- Receiver Quad
- Receiver Valcom
- Receiver Integra
- Receiver Orava
- Receiver Canyon
- Receiver Cisco
- Receiver Block
- Receiver Pro-Ject
- Receiver Rega
- Receiver Whistler
- Receiver Delta Dore
- Receiver Vision
- Receiver Matrox
- Receiver Citronic
- Receiver Crown
- Receiver Dynacord
- Receiver Krell
- Receiver Mark Levinson
- Receiver Phonic
- Receiver Yorkville
- Receiver Gefen
- Receiver Audix
- Receiver Chamberlain
- Receiver Thomann
- Receiver Karma
- Receiver LEA
- Receiver LTC
- Receiver GlobalSat
- Receiver Lindy
- Receiver IFM
- Receiver DataVideo
- Receiver ART
- Receiver Summit Audio
- Receiver Musway
- Receiver Avalon
- Receiver Sonance
- Receiver Oculus VR
- Receiver Vaddio
- Receiver Bogen
- Receiver Galaxy Audio
- Receiver Dahua Technology
- Receiver Neumann
- Receiver Pyle Pro
- Receiver PreSonus
- Receiver Roksan
- Receiver Electro-Voice
- Receiver Rupert Neve Designs
- Receiver Valueline
- Receiver Chandler
- Receiver RDL
- Receiver Chord
- Receiver Fredenstein
- Receiver QSC
- Receiver Audac
- Receiver Marshall Electronics
- Receiver BOYA
- Receiver Eventide
- Receiver Radial Engineering
- Receiver ATen
- Receiver Metra
- Receiver Russound
- Receiver Engel Axil
- Receiver Comica
- Receiver Audient
- Receiver Hegel
- Receiver PAC
- Receiver Mooer
- Receiver August
- Receiver DBX
- Receiver JETI
- Receiver Homematic IP
- Receiver Kopul
- Receiver Linn
- Receiver Martin Logan
- Receiver Extron
- Receiver Ibiza Sound
- Receiver Exposure
- Receiver Fostex
- Receiver Proel
- Receiver FBT
- Receiver MIPRO
- Receiver Solid State Logic
- Receiver Neets
- Receiver NAV-TV
- Receiver AMX
- Receiver HiFi ROSE
- Receiver OSD Audio
- Receiver Blackstar
- Receiver Crestron
- Receiver RME
- Receiver Black Lion Audio
- Receiver Adastra
- Receiver Konig & Meyer
- Receiver PSB
- Receiver Music Hall
- Receiver Aeon Labs
- Receiver Markbass
- Receiver StarTech.com
- Receiver Warm Audio
- Receiver AudioControl
- Receiver PureLink
- Receiver SPL
- Receiver Deaf Bonce
- Receiver Lindell Audio
- Receiver Smart-AVI
- Receiver PSSO
- Receiver Crest Audio
- Receiver Grace Design
- Receiver Primare
- Receiver Sonifex
- Receiver Xantech
- Receiver Kali Audio
- Receiver Audioengine
- Receiver Kramer
- Receiver IFi Audio
- Receiver Revel
- Receiver Wet Sounds
- Receiver Hughes & Kettner
- Receiver Manley
- Receiver MEE Audio
- Receiver KanexPro
- Receiver Intelix
- Receiver Ibanez
- Receiver Blustream
- Receiver SVS
- Receiver Ashly
- Receiver Madison
- Receiver Match
- Receiver Vocopro
- Receiver Laney
- Receiver Universal Audio
- Receiver EA
- Receiver DirecTV
- Receiver Vimar
- Receiver GOgroove
- Receiver Ocean Matrix
- Receiver Speco Technologies
- Receiver Kemo
- Receiver Morel
- Receiver SRS
- Receiver LYYT
- Receiver Antelope Audio
- Receiver CE Labs
- Receiver Panduit
- Receiver Pharos
- Receiver Accell
- Receiver Jolida
- Receiver Intertechno
- Receiver Inovonics
- Receiver Ecler
- Receiver Viscount
- Receiver Ashdown Engineering
- Receiver Aquatic AV
- Receiver Parasound
- Receiver DB Technologies
- Receiver Roswell
- Receiver Epcom
- Receiver Kanto
- Receiver Sunfire
- Receiver Bugera
- Receiver InLine
- Receiver CYP
- Receiver Topp Pro
- Receiver Cyrus
- Receiver Palmer
- Receiver Astell&Kern
- Receiver TV One
- Receiver Dimavery
- Receiver AMS Neve
- Receiver Powersoft
- Receiver Cranborne Audio
- Receiver LinksPoint
- Receiver Lotronic
- Receiver Esoteric
- Receiver IMG Stage Line
- Receiver Wireless Solution
- Receiver Leviton
- Receiver Atlas Sound
- Receiver Aurel
- Receiver NUVO
- Receiver Phoenix Audio
- Receiver AVPro Edge
- Receiver Comtek
- Receiver Fishman
- Receiver RetroSound
- Receiver Pyramid
- Receiver Sound Ordnance
- Receiver FiveO
- Receiver Planet Audio
- Receiver SureCall
- Receiver Ram Audio
- Receiver AVMATRIX
- Receiver Hotone
- Receiver Trace Elliot
- Receiver JTS
- Receiver AER
- Receiver Dynavox
- Receiver Modelcraft
- Receiver Fontastic
- Receiver Klark Teknik
- Receiver Lectrosonics
- Receiver Simaudio
- Receiver TIC
- Receiver Niles
- Receiver Knoll
- Receiver Creek
- Receiver Mobile Crossing
- Receiver The T.amp
- Receiver Sound Devices
- Receiver FSR
- Receiver Edwards Signaling
- Receiver GigaBlue
- Receiver ANKARO
- Receiver Alfatron
- Receiver Key Digital
- Receiver CAD Audio
- Receiver Polsen
- Receiver Whirlwind
- Receiver Triangle
- Receiver Lab Gruppen
- Receiver Wavtech
- Receiver AmpliVox
- Receiver Audiofrog
- Receiver Memphis Audio
- Receiver CyberData Systems
- Receiver BZBGear
- Receiver Rolls
- Receiver WyreStorm
- Receiver Williams Sound
- Receiver Lyngdorf
- Receiver SoundTube
- Receiver WesAudio
- Receiver AudioSource
- Receiver Stewart
- Receiver Leema
- Receiver Apantac
- Receiver MuxLab
- Receiver Axing
- Receiver Camille Bauer
- Receiver Seco-Larm
- Receiver Mosconi
- Receiver Crest
- Receiver TechLogix Networx
- Receiver Audibax
- Receiver BC Acoustique
- Receiver Gold Note
- Receiver IOTAVX
- Receiver Fosi Audio
- Receiver A-NeuVideo
- Receiver Shinybow
- Receiver S.M.S.L
- Receiver Rexing
- Receiver NuPrime
- Receiver Shanling
- Receiver Inter-M
- Receiver Sinus Live
- Receiver Soundtrack
- Receiver Canor
- Receiver C2G
- Receiver Unison Research
- Receiver Cerwin-Vega
- Receiver BMB
- Receiver Advance
- Receiver Cloud
- Receiver Lumantek
- Receiver Audiotec Fischer
- Receiver Taga Harmony
- Receiver Datapath
- Receiver PTN-electronics
- Receiver Clare Controls
- Receiver Loxjie
- Receiver Cayin
- Receiver Technical Pro
- Receiver VMV
- Receiver Black Hydra
- Receiver Bellari
- Receiver Comprehensive
- Receiver Benchmark
- Receiver FoneStar
- Receiver Henry Engineering
- Receiver Glemm
- Receiver ButtKicker
Nieuwste handleidingen voor Receiver
16 December 2024
15 December 2024
14 December 2024
14 December 2024
14 December 2024
12 December 2024
11 December 2024
11 December 2024
11 December 2024
11 December 2024